All the works of the Chinese poet T'ao Yuan-ming (AD 365–427) generally considered genuine have been translated here with commentary and annotation. T'ao, in the author's opinion, is of all the major Chinese poets especially concerned with personal integrity and the meaning of man's life. His poetry for this reason may be able to transcend the barriers of cultural difference. For centuries of Chinese readers, however, the image of T'ao Yuan-ming as an eccentric wine-loving recluse who embraced purity and simplicity and rejected the corruption of political society has virtually been as important as his own writing. Studies of the poet, from the Sung dynasty on, have applied a political interpretation of his work. The author believes that this approach is generally mistaken and seeks to combat it in detail. The work has been arranged in two volumes. The first, containing the translations with explanatory commentary and notes, is aimed at a wider audience than the professional. The second
All the works of the Chinese poet T'ao Yuan-ming (AD 365–427) generally considered genuine have been translated here with commentary and annotation. T'ao, in the author's opinion, is of all the major Chinese poets especially concerned with personal integrity and the meaning of man's life. His poetry for this reason may be able to transcend the barriers of cultural difference. For centuries of Chinese readers, however, the image of T'ao Yuan-ming as an eccentric wine-loving recluse who embraced purity and simplicity and rejected the corruption of political society has virtually been as important as his own writing. Studies of the poet, from the Sung dynasty on, have applied a political interpretation of his work. The author believes that this approach is generally mistaken and seeks to combat it in detail. The work has been arranged in two volumes. The first, containing the translations with explanatory commentary and notes, is aimed at a wider audience than the professional. The second
'The first edition of this book set a milestone in writing about under threes. This second edition builds on that great achievement: its thinking about loving interactions in nurseries marks it out fo
'The first edition of this book set a milestone in writing about under threes. This second edition builds on that great achievement: its thinking about loving interactions in nurseries marks it out fo
This book concerns two men, a stockingmaker and a magistrate, who both lived in a small English village at the turn of the nineteenth century. It focuses on Joseph Woolley the stockingmaker, on his way of seeing and writing the world around him, and on the activities of magistrate Sir Gervase Clifton, administering justice from his country house Clifton Hall. Using Woolley's voluminous diaries and Clifton's magistrate records, Carolyn Steedman gives us a unique and fascinating account of working-class living and loving, and getting and spending. Through Woolley and his thoughts on reading and drinking, sex, the law and social relations, she challenges traditional accounts which she argues have overstated the importance of work to the working man's understanding of himself, as a creature of time, place and society. She shows instead that, for men like Woolley, law and fiction were just as critical as work in framing everyday life.
This book concerns two men, a stockingmaker and a magistrate, who both lived in a small English village at the turn of the nineteenth century. It focuses on Joseph Woolley the stockingmaker, on his way of seeing and writing the world around him, and on the activities of magistrate Sir Gervase Clifton, administering justice from his country house Clifton Hall. Using Woolley's voluminous diaries and Clifton's magistrate records, Carolyn Steedman gives us a unique and fascinating account of working-class living and loving, and getting and spending. Through Woolley and his thoughts on reading and drinking, sex, the law and social relations, she challenges traditional accounts which she argues have overstated the importance of work to the working man's understanding of himself, as a creature of time, place and society. She shows instead that, for men like Woolley, law and fiction were just as critical as work in framing everyday life.
New England transcendentalist Henry David Thoreau’s 1843 essay “A Winter Walk” is a loving celebration of winter and walking. Thoreau vividly renders the winter season, writing of its sparkling beauty
Did it really matter that his writing career wasn't taking off? He had great friends, and a beautiful loving wife. Nothing could destroy that happiness, and money wasn't everything. Or was it?When Str
When Susan Richards adopted an abused horse rescued by the local SPCA she didn't know that Lay Me Down's loving nature would touch her heart - and change her life. Susan, a writing teacher, had lost
A revealing, poignant, and hilarious memoir from the cultural icon, gay rights activist, and four-time Tony Award winner.Harvey Fierstein's stellar career has taken him from Broadway to Hollywood and back. He's received accolades and awards for acting--Hairspray, Fiddler, Mrs. Doubtfire, Independence Day--and writing: La Cage Aux Folle, Torch Song Trilogy (for which he also won a Tony for acting) and Kinky Boots. But while he is widely known as one of today's most peerless performers, Harvey has never shared his own story until now. He takes us from his childhood in Bensonhurst, Brooklyn--born in 1954, he was an eccentric, musical-loving boy--to performing in Andy Warhol's Pork at LaMama in 1971, to becoming an outspoken advocate for gay rights to his soaring career on Broadway and in Hollywood. And Harvey's candid recollections give us, as well, a rich picture of downtown New York City life and gay culture, the evolution of theater over the course of his career, and a moving account o
What is your favourite word?I like CRUNCHY and FIZZLE and TOASTCARPET sure takes some beatingBut I think I love LOVING the mostFrom cool boys and Year Six Sisters to the chicken school timetable; from Dad's terrible dancing to Mum's cunning treasure trail; dogs, hamsters, and dragons; sad times, happy times, love and togetherness - plus the joy and fun of poetry. With themes of Family, School, Pets, the Wild, Being a Poet and Personal Favourites, this is an outstanding, exuberant collection of the very best work from one of the best-loved poets writing today.
'Haunting. Geppetto's voice, full of wistful overemphases and bewildered revelation, is absorbing as he takes in the oddity of his situation. And the book, sentence by sentence, offers much in which to luxuriate.' - Sunday Times 'Profound and delightful.It is a strange and tender parable of two maddening obsessions; parenting and art-making' - Max Porter 'Strange, moving and musical, it's a delight' - A. L. Kennedy 'A re-imagining of Pinocchio, told from the viewpoint of the beast-entrapped Geppetto, it surprise and delights, and saddens and gladdens, from start to finish.' - Jane Graham I am writing this account, in another man's book, by candlelight, inside the belly of a fish.I have been eaten. I have been eaten, yet I am living still. 'Art objects live in the belly of this marvellous novel, images swallowed by text, sustained by a sublime and loving imagination.Like all Edward Carey's work The Swallowed Man is profound and delightful. It is a strange and tender parable of two madde
On the surface, Bob Hasson's life in business has followed a storyline many entrepreneurs dream of writing for themselves. Over forty years, he successfully grew his solo startup venture as a house painter into one of the largest and most respected commercial paint companies in the Western U.S. Yet the true story of this growth and success, both in business and in life, lies not a classic recipe of hard work, talent, and great opportunities, but in something deeper: his journey of learning to live as a person of honor in business.
When Halley's comet arrived in 1910, so did an extraordinary person: Margaret Wise Brown. Margaret had a boundless imagination and a gift for spinning stories. Most grown-ups thought children's books were frivolous and silly, but Margaret didn't agree. Could writing stories for children be important work--a incredible way to share truth, beauty, and wonder? Other people might call Margaret strange, and sometimes her own worries and doubts felt overwhelming. But only Margaret and her original ideas could lead to Goodnight Moon, The Runaway Bunny, and other classics beloved by children around the world. From smuggling rabbits onto trains, to scribbling stories about island whispers, Margaret embraced adventure in life and on the page. This whimsically illustrated biography shares how an independent, fun-loving woman became a trailblazing pioneer of the picture-book form.
Perfect Strangers Every day, she sits at the top of the stairs leading to the beach. Always writing in her little notebook. Always watching. Watching the loving big brother, so caring and attentiv
The million-copy bestselling author returns with a breathtaking thriller‘We’re in a new Golden Age of suspense writing now, because of amazing books like Bring Me Back, and I for one am loving it’ Lee
