All of the creator of Mad magazine’s rarely seen EC science fiction comics stories in a single volume!These stories — all drawn by Kurtzman, some of which he also wrote — are from the pages of Weird S
The second volume of Stalag IIB begins when René Tardi finally gets a taste of freedom, as prisoners and German officers alike are forced to evacuate the POW camp he has languished in for the past fou
This is a deluxe, full-color, coffee table book biography; the first of one of America’s greatest storytellers. It's filled with beautifully reproduced artwork from the comic books Little Lulu, and hi
Malkasian’s stunning landscapes and depictions of nature, gestural character nuance, and sophisticated storytelling are on display in her latest graphic novel. For a thousand years, the unfinished dre
The preeminent American political cartoonist's classic reinterpretation of Dante's Inferno as a satirical indictment of capitalism — as it has never been seen before.Capitalist oligarchs and their min
Devilishly funny, absurdist manga short stories about a sprightly home aide caring for a series of eccentric patients.In Vol. 2, Yukie boldly decides to join the resistance — against a squadron of man
This is a literary collection of interconnected comics stories about monsters — giant monsters, tiny monsters, robot monsters, cosmic monsters — some of whom work for the benefit of humankind, others
Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire indu
This issue of the award-winning magazine shines a light on how comics creators are affected by chronic disease, disability, and our nation's health care system.This issue also features a document that
Stories in this volume include "The Martian Monster," in which a 9-year-old boy befriends a Martian in the woods and asks him to kill his stepmother — but the "Martian" convinces him that it’s really
Cartoonist Wallace Wood created and published his own magazine — witzend. Witzend immediately became a venue for personal work, without regard to commercial constraints and with contributors like Fran
