Explores the debate concerning realism and modernism in art and examines the efforts of four influential critics to develop Marxist theories of modern art
Dark matter is among the most important open problems in modern physics. Aimed at graduate students and researchers, this book describes the theoretical and experimental aspects of the dark matter problem in particle physics, astrophysics and cosmology. Featuring contributions from 48 leading theorists and experimentalists, it presents many aspects, from astrophysical observations to particle physics candidates, and from the prospects for detection at colliders to direct and indirect searches. The book introduces observational evidence for dark matter along with a detailed discussion of the state-of-the-art of numerical simulations and alternative explanations in terms of modified gravity. It then moves on to the candidates arising from theories beyond the Standard Model of particle physics, and to the prospects for detection at accelerators. It concludes by looking at direct and indirect dark matter searches, and the prospects for detecting the particle nature of dark matter with astr
Dark matter is among the most important open problems in modern physics. Aimed at graduate students and researchers, this book describes the theoretical and experimental aspects of the dark matter problem in particle physics, astrophysics and cosmology. Featuring contributions from 48 leading theorists and experimentalists, it presents many aspects, from astrophysical observations to particle physics candidates, and from the prospects for detection at colliders to direct and indirect searches. The book introduces observational evidence for dark matter along with a detailed discussion of the state-of-the-art of numerical simulations and alternative explanations in terms of modified gravity. It then moves on to the candidates arising from theories beyond the Standard Model of particle physics, and to the prospects for detection at accelerators. It concludes by looking at direct and indirect dark matter searches, and the prospects for detecting the particle nature of dark matter with astr
This 2005 study traces the development of Surrealist theory of visual art and its reception, from the birth of Surrealism to its institutionalization in the mid-1930s. Situating Surrealist art theory in its theoretical and discursive contexts, Kim Grant demonstrates the complex interplay between Surrealism and contemporary art criticism. She examines the challenge to Surrealist art raised by the magazine Cahiers d'Art, which promoted a group of young painters dedicated to a liberated and poetic painting process that was in keeping with the formalist evolution of modern art. Grant also discusses the centrality of visual art in Surrealism as a material manifestation of poetry, the significance of poetry in French theories of modern art, and the difficulties faced by an avant-garde art movement at a time when contemporary audiences had come to expect revolutionary innovation.
This book presents the most comprehensive and systematic description currently available of both classical and novel theories of cloud processes, providing a much-needed link between cloud theory, observation, experimental results, and cloud modeling. This volume shows why and how modern models serve as a major tool of investigation of cloud processes responsible for atmospheric phenomena, including climate change. It systematically describes classical as well as recent advancements in cloud physics, including cloud-aerosol interaction; collisions of particles in turbulent clouds; and the formation of multiphase cloud particles. As the first of its kind to serve as a practical guide for using state-of-the-art numerical cloud models, major emphasis is placed on explaining how microphysical processes are treated in modern numerical cloud resolving models. The book will be a valuable resource for advanced students, researchers and numerical model designers in cloud physics, atmospheric sc
This 2005 study traces the development of Surrealist theory of visual art and its reception, from the birth of Surrealism to its institutionalization in the mid-1930s. Situating Surrealist art theory in its theoretical and discursive contexts, Kim Grant demonstrates the complex interplay between Surrealism and contemporary art criticism. She examines the challenge to Surrealist art raised by the magazine Cahiers d'Art, which promoted a group of young painters dedicated to a liberated and poetic painting process that was in keeping with the formalist evolution of modern art. Grant also discusses the centrality of visual art in Surrealism as a material manifestation of poetry, the significance of poetry in French theories of modern art, and the difficulties faced by an avant-garde art movement at a time when contemporary audiences had come to expect revolutionary innovation.
This comprehensive biography traces the life and works of Robert Maillart, one of the most important engineers and designers of the twentieth century. His career developed around a central issue of modern technological society: the debate between two antithetical views of engineering opposing applied science, which relied on general mathematical theories for understanding structures against design, which Maillart championed. Maillart considered structures not merely works of utility but also as works of art. As utilitarian objects, he created a series of innovations of lasting significance. Aesthetically, Maillart shaped his three innovations in concrete to create surprising and often stunning new forms. Providing an analysis of these innovations, this biography also connects Maillart's aesthetic ideas with the private and professional context in which he worked.
A great master of the early Renaissance, Piero della Francesca created paintings for ecclesiastics, confraternities, and illustrious nobles throughout the Italian peninsula. Since the early twentieth century, the rational space, abstract designs, lucid illumination and naturalistic details of his pictures have attracted a wide audience. Piero's treatises on mathematics and perspective also fascinate scholars in a wide range of disciplines. This 2002 Companion brings together essays that offer a synthesis and overview of Piero's life and accomplishments as a painter and theoretician. They explore a variety of themes associated with the artist's career, including the historical and religious circumstances surrounding Piero's altarpieces and frescoes; the politics underlying his portraits; the significance of clothing in his paintings; the influence of his theories on perspective and mathematics; and the artist's enduring fascination for modern painters and writers.
A great master of the early Renaissance, Piero della Francesca created paintings for ecclesiastics, confraternities, and illustrious nobles throughout the Italian peninsula. Since the early twentieth century, the rational space, abstract designs, lucid illumination and naturalistic details of his pictures have attracted a wide audience. Piero's treatises on mathematics and perspective also fascinate scholars in a wide range of disciplines. This 2002 Companion brings together essays that offer a synthesis and overview of Piero's life and accomplishments as a painter and theoretician. They explore a variety of themes associated with the artist's career, including the historical and religious circumstances surrounding Piero's altarpieces and frescoes; the politics underlying his portraits; the significance of clothing in his paintings; the influence of his theories on perspective and mathematics; and the artist's enduring fascination for modern painters and writers.
