Mastery of quality health care and patient safety begins as soon as we open the hospital doors for the first time and start acquiring practical experience. The acquisition of such experience includes
Derek Parfit presents the third volume of On What Matters, his landmark work of moral philosophy. Parfit develops further his influential treatment of reasons, normativity, the meaning of moral discourse, and the status of morality. He engages with his critics, and shows the way to resolution of their differences.This volume is partly about what it is for things to matter, in the sense that we all have reasons to care about these things. Much of the book discusses three of the main kinds of meta-ethical theory: Normative Naturalism, Quasi-Realist Expressivism, and Non-Metaphysical Non-Naturalism, which Derek Parfit now calls Non-Realist Cognitivism. This third theory claims that, if we use the word 'reality' in an ontologically weighty sense, irreducibly normative truths have no mysterious or incredible ontological implications. If instead we use 'reality' in a wide sense, according to which all truths are truths about reality, this theory claims that some non-empirically discoverable
There can be no doubt that Kant thought we should be reflective: we ought to care to make up our own minds about how things are and what is worth doing. Philosophical objections to the Kantian reflective ideal have centred on concerns about the excessive control that the reflective person is supposed to exert over their own mental life, and Kantians who feel the force of these objections have recently drawn attention to Kant's conception of moral virtue as it is developed in his later work, chiefly the Metaphysics of Morals. Melissa Merritt's book is a distinctive contribution to this recent turn to virtue in Kant scholarship. Merritt argues that we need a clearer, and textually more comprehensive, account of what reflection is, in order not only to understand Kant's account of virtue, but also to appreciate how it effectively rebuts long-standing objections to the Kantian reflective ideal.
Studio Experimentelles Design’s politically and socially committed approach through lectures, research, conversations, and project documentation.With today’s increasing income disparity, forced global division of labor, and neoliberal expansion of precariousness, a critical discussion about work is looming―even in the field of design. Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design’s online research festival “(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) (in neoliberal times)?” The studio invited friends, experts, and activists to discuss self-organizing academia, artistic collectivism, care work, and creative self-exploitation. Over three
Just like a house plant, friendship is something that needs to be taken care of to keep it alive. Luísa and Rita have been best friends since they can remember, but as they get older, something begins to threaten their bond. What does it mean to know someone? What does it take to keep our memories true? Spineless Cactus is a short story about friendship, plants, growing up but also growing apart.'Luísa and I met in primary school and we’re best friends since then. We have always been a little different, that’s why I think we complement each other. But I like to believe that I know her better than anyone. Luísa brought a lily that day. And she wasn’t wearing earrings.'
