Portraiture
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系列名:Oxford History of Art
ISBN13:9780192842589
出版社:Oxford Univ Pr PBKUOXFX
作者:Shearer West
出版日:2004/05/06
裝訂/頁數:平裝/256頁
規格:24.1cm*16.5cm*1.3cm (高/寬/厚)
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This fascinating new addition to the acclaimed Oxford History of Art series explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? The book provides a clear, yet thorough overview of the history of portraiture in terms of social, political, economic, and psychological factors over a broad time span. Issues such as identity, modernity, and gender are considered within their cultural and historical contexts.
Shearer West uncovers intriguing aspects of portraiture-a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from "stars" such as David and Victoria Beckham to everyday people. West examines the many meanings and uses of portraits throughout the ages and includes a wide range of artists from Botticelli to Picasso, and Hans Holbein to Frida Kahlo. In the process, she reveals the faces of the past in an exciting new way. Beautifully illustrated throughout, this book is a unique and accessible introduction to the history of portraiture.
Shearer West uncovers intriguing aspects of portraiture-a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from "stars" such as David and Victoria Beckham to everyday people. West examines the many meanings and uses of portraits throughout the ages and includes a wide range of artists from Botticelli to Picasso, and Hans Holbein to Frida Kahlo. In the process, she reveals the faces of the past in an exciting new way. Beautifully illustrated throughout, this book is a unique and accessible introduction to the history of portraiture.
作者簡介
Shearer West is Professor of Art History at the University of Birmingham. Her books include Chagall (Bison, 1990), The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (Pinter, 1991), The Visual Arts in Germany 1890-1940 (Manchester UP, 2000), and Fin de Sie'cle: Art and Society in an Age of Uncertainty (Overlook, 1993). She is also the editor of The Bloomsbury Guide to Art (Bloomsbury, 1996).
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