Chaos, Territory, Art ─ Deleuze and the Framing of the Earth
商品資訊
ISBN13:9780231145183
出版社:Columbia Univ Pr
作者:Elizabeth Grosz
出版日:2008/06/15
裝訂/頁數:精裝/116頁
規格:21.6cm*14.6cm*1.3cm (高/寬/厚)
商品簡介
By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, F?lix Guattari, and Jakob von Uexk?ll, we are able to grasp art's deep animal lineage.
Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.
作者簡介
Elizabeth Grosz is professor of women's and gender studies at Rutgers University. She also teaches gender studies and architecture at the University of Bergen, Norway, and The University of Sydney, Australia. Grosz has been a visiting professor at the University of California, Santa Cruz, the University of California, Irvine, Johns Hopkins University, and George Washington University. Trained in continental philosophy, she has written widely on the body, sexuality, space, time, and materiality, and her publications include The Nick of Time: Politics, Evolution, and the Untimely and Time Travels: Feminism, Nature, Power.
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