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Yes, he was handsome. Yes, he was a spectacular serial adulterer. Yes, he was so popular and powerful that he could demand the best parts in the best works of the best writers. It is in that last observation that we start to understand how nineteenth-century actor Edmund Kean affected no less than Byron, Coleridge and Keats. Kahan (U. of La Verne) explores how Kean's acting style was so affecting his biographers forgot the man sought to control English theater, how his persona was so influential even after death that both Dumas used it to explode aristocratic pretensions and Twain used it to explore the loving link between American audiences and titillation, how Kean's son attempted to make him less of a fornicator and more of a philosopher, and how Sartre made Kean existentially transparent. The final chapter explores the temptations of perpetual illusion. Annotation c2007 Book News, Inc., Portland, OR (booknews.com)
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