Written on the Water: British Romanticism and the Maritime Empire of Culture

"Water, water is everywhere in Romantic literature, but most treatments of the poetry of the period have not adequately registered this fact. By situating Romanticism within the historical context of an emergent British maritime empire, Baker provides a new way of thinking about literature. Written on the Water is a wonderful book, as expansive in its attempt to reinterpret Romantic poetry as the nautical horizons it examines."---Alan Bewell, University of Toronto, author of Romanticism and Colonial Disease

The very word "culture" has traditionally evoked the land. But when such writers as William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and, later, Matthew Arnold developed what would become the idea of modern culture, they modeled that idea on Britain's imperial command of the sea. Instead of locating the culture idea's beginnings in the dynamic between the country and the city, Samuel Baker insists on taking into account the significance of water for that idea's development. For the Romantics, figures of the island, the deluge, and the sundering tide often convey the insularity of cultures understood to stand apart from the whole; yet, Baker writes, the sea also stands in their poetry of culture as a reminder of the broader sphere of circulation in which the poet's work, if not the poet's subject, inheres.

Although other books treat the history of the idea of culture, none synthesizes that history with the literary history of maritime empire. Written on the Water tracks an uncanny interrelationship between ocean imagery and culturalist rhetoric of culture forward from the late Augustans to the mid-Victorians. In so doing, it analyzes Wordsworth's pronounced ambivalence toward the sea, Coleridge's sojourn as an imperial functionary in Malta, Byron's cosmopolitan seafaring tales, and Arnold's dual identity as "poet of water" and prose arbiter of "culture." It also considers Romanticism's classical inheritance, arguing that the Lake Poets dissolved into the idea of culture the Virgilian system of pastoral, georgic, and epic modes of literature and life.

This compelling new study will engage any reader interested in the intellectual and literary history of Britain and the lived experience of British Romanticism.

Samuel Baker is Assistant Professor of English at the University of Texas at Austin.