Cultural Globalization and Music
商品資訊
ISBN13:9780230221291
出版社:Palgrave Macmillan
作者:Nadia Kiwan; Ulrike Hanna Meinhof
出版日:2011/05/15
裝訂/頁數:精裝/273頁
規格:22.9cm*15.2cm*1.9cm (高/寬/厚)
定價
:NT$ 7699 元若需訂購本書,請電洽客服 02-25006600[分機130、131]。
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From the introduction: "This is a book about South-North, North-South relations between Africa and Europe, seen through the alternative prism of artists from North Africa (mainly Morocco and Algeria) and Madagascar, and of their complex networks within and across African, European and wider global spaces...." The authors emphasize that their investigation of migration is distinguished by analysis of the sending nations as well as the receiving nations and by its incorporation of a new theoretical concept they term transcultural capital theory. Nadia Kiwan (French and Francophone studies, U. of Aberdeen, UK) and Ulrike Hanna Meinhof (transnational studies, U. of Southampton, UK) have collaborated to collect personal narratives of musicians and to view them in a broad context. Excerpts from the interviews are presented in the appendix in the original French and German. Annotation c2011 Book News, Inc., Portland, OR (booknews.com)
作者簡介
NADIA KIWAN is Lecturer in French and Francophone Studies, University of Aberdeen, UK and author of Identities, Discourses and Experiences: Young People of North African Origin in France. Her research interests include migration, identity, new social movements, and new forms of migrant cultural production and citizenship.
ULRIKE MEINHOF is Director of the Research Center for Transnational Studies at the University of Southampton, UK. She has directed ESRC, AHRC and EU-funded research into EU border identities, cultural policy in metropolitan cities, networks and neighborhoods in provincial regions in Europe, and transnational networks of musicians from Africa.
ULRIKE MEINHOF is Director of the Research Center for Transnational Studies at the University of Southampton, UK. She has directed ESRC, AHRC and EU-funded research into EU border identities, cultural policy in metropolitan cities, networks and neighborhoods in provincial regions in Europe, and transnational networks of musicians from Africa.
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