Singing the Self ─ Guitar Poetry, Community, and Identity in the Post-Stalin Period
商品資訊
系列名：Studies in Russian Literature and Theory
ISBN13：9780810128330
替代書名：Singing the Self
出版社：Northwestern Univ Pr
作者：Rachel S. Platonov
出版日：2012/07/31
裝訂／頁數：精裝／271頁
規格：22.9cm*15.2cm*2.5cm (高/寬/厚)
商品簡介
This book is a study of a Soviet cultural phenomenon of the 1950s through the 1980s known as guitar poetry—songs accompanied by guitar and considered poetry in much the same way as those of, for example, Bob Dylan. Platonov’s is the most comprehensive book in English to date to analyze guitar poetry, which has rarely received scholarly attention outside of Russia. Going well beyond the conventional, text-centered view of guitar poetry as a form of po-litical or artistic dissent, largely a function of the Cold War climate in which it began, Platonov argues for a more complex understanding of guitar poetry as a means of self-invention and community formation. Although grounded in literary studies, the book effectively brings historical, anthropological, and musicological perspectives to bear on an understudied phenomenon of the post-Stalin period.
作者簡介
Rachel S. Platonov is a lecturer in Russian studies at the University of Manchester.
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