Fairy Tales Framed—Early Forewords, Afterwords, and Critical Words

Most early fairy tale authors had a lot to say about what they wrote. Charles Perrault explained his sources and recounted friends reactions. His niece Marie-Jeanne Lheritier and her friend Marie-Catherine d Aulnoy used dedications and commentaries to situate their tales socially and culturally, while the raffish Henriette Julie de Murat accused them all of taking their plots from the Italian writer Giovan Francesco Straparola and admitted to borrowing from the Italians herself. These reflections shed a bright light on both the tales and on their composition, but in every case, they were removed soon after their first publication. Remaining largely unknown, their absence created empty space that later readers filled with their own views about the conditions of production and reception of the tales.
What their authors had to say about Puss in Boots, Cinderella, Sleeping Beauty, and Rapunzel, among many other fairy tales, is collected here for the first time, newly translated and accompanied by rich annotations. Also included are revealing commentaries from the authors literary contemporaries.
As a whole, these forewords, afterwords, and critical words directly address issues that inform the contemporary study of European fairy tales, including traditional folkloristic concerns about fairy tale origins and performance, as well as questions of literary aesthetics and historical context.

Ruth B. Bottigheimer teaches European fairy tales and British children’s literature at Stony Brook University, State University of New York. She is the author of several books, including Fairy Tales: A New History, also published by SUNY Press, and Fairy Godfather: Straparola, Venice, and the Fairy Tale Tradition.