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Accompanying the first full-scale retrospective of David Ireland's work, this book provides an insightful overview of over thirty years of the artist's accomplishments, from his drawings, sculptures, and site-specific installations to his remarkable series of architectural transformations, including his well-known house at 500 Capp Street in San Francisco. Chronicling Ireland's circuitous route to his calling, curator and author Karen Tsujimoto explores how key life experiences have influenced his artistic perspective - from his early art-student days, through his years as an African importer and safari guide to his long standing interest in Eastern, and particularly Zen, philosophy and his connections to the Bay Area art community. An illuminating essay by Jennifer R. Gross helps to place Ireland's work in relationship to the work of other conceptual artists and especially considers his art in terms of historical materialism - assessing his use of neglected materials and artifacts as a process of cultural preservation.
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Karen Tsujimoto is Senior Curator of Art at the Oakland Museum of California, the coauthor of The Art of Joan Brown (California, 1998) and The Art of Peter Voulkos (1995), and the author of Wayne Thiebaud (1985). Jennifer R. Gross, Seymour H. Knox, Jr. Curator of Modern and Contemporary Art at Yale University Art Gallery, has written about and organized numerous exhibitions on modern and contemporary art, including the work of Abelardo Morell, Jessica Stockholder, and Richard Tuttle.
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