90折
What's the Worst Thing You Can Do to Shakespeare?
商品資訊
ISBN13：9781137270498
出版社：Palgrave Macmillan
作者：Richard Burt; Julian Yates
出版日：2013/07/18
裝訂／頁數：平裝／277頁
規格：24.1cm*15.2cm*1.3cm (高/寬/厚)
版次：1
定價
：NT$ 2750 元優惠價
：90 折 2475 元
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商品簡介
"What's the worst thing you can do to Shakespeare? The answer is simple: don't read him. To that end, Richard Burt and Julian Yates embark here on a project of un/reading the Bard, through both reverent and irreverent discourse. Addressing recent critical debates around problems of print and performance, works in media theory and deconstruction, and film adaptations, the chapters uncover areas of confluence and reveal the inventive ways in which these areas respond to each other. Ultimately, this book turns conventional challenges into a roadmap for textual analysis and a thorough reconsideration of the plays in light of their absorption into global culture"--
作者簡介
Richard Burt is Professor of English and Film and Media Studies at the University of Florida, USA. His most recent book publication is Medieval and Early Modern Film and Media and he is currently writing a book entitled The Uninvited Reading: Posthumous Publication, Expenditure, Archive, parts of which have appeared in Rhizomes, New Formations, and Glossator.
Julian Yates is Associate Professor of English and Material Culture Studies at University of Delaware, USA. He is the author of Error, Misuse, Failure: Object Lessons from the English Renaissance, which was a finalist for the MLA Best First Book Prize in 2003. His recent work focuses on questions of ecology, genre, and the post-human. He is currently writing a book entitled The Multi-Species Impression: Renaissance / Organics, parts of which have appeared in Rhizomes, Shakespeare Studies, and postmedieval.
Julian Yates is Associate Professor of English and Material Culture Studies at University of Delaware, USA. He is the author of Error, Misuse, Failure: Object Lessons from the English Renaissance, which was a finalist for the MLA Best First Book Prize in 2003. His recent work focuses on questions of ecology, genre, and the post-human. He is currently writing a book entitled The Multi-Species Impression: Renaissance / Organics, parts of which have appeared in Rhizomes, Shakespeare Studies, and postmedieval.
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