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古典詩詞的女兒-葉嘉瑩
Hogarth's Harlot ─ Sacred Parody in Enlightenment England

Hogarth's Harlot ─ Sacred Parody in Enlightenment England

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In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. InHogarth's Harlot, Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English antipopery and anti-Jacobitism, as well as the ideas of the English Enlightenment.

Offering imaginative and deeply informed readings of a wide range of artistic works—engravings by Hogarth; poems by Milton, Pope, Christopher Smart, and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis-Francois Roubiliac; and oratorios by George Frederic Handel—Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

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Ronald Paulson is William D. and Robin Mayer Professor of the Humanities at the Johns Hopkins University. His many books includeDon Quixote in England: The Aesthetics of Laughter, also available from Johns Hopkins.

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定價:100 3720
無庫存,下單後進貨
(到貨天數約30-45天)

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