The Passion for Music ─ A Sociology of Mediation
商品資訊
系列名:Music and Change: Ecological Perspectives
ISBN13:9781472418104
出版社:Ashgate Pub Co
作者:Antoine Hennion; Margaret Rigaud (TRN); Peter Collier (TRN)
出版日:2015/07/28
裝訂/頁數:精裝/342頁
規格:23.5cm*15.9cm*3.2cm (高/寬/厚)
定價
:NT$ 8100 元優惠價
:90 折 7290 元
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Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. There is no musical object a€?in itselfa€?; music must always be made again. In this innovative book, Hennion turns the elusiveness of music into a resource for a pragmatic analysis: by which collective process do we make music appear among us? Rather than offering a sociology of music, The Passion for Music listens to the lesson provided by the case of music - this art of infinite mediations. Learning from music allows us to transform the paradigm to be offered by sociology, by confronting it (from Durkheim and Weber to Bourdieu) with a different way of considering objects. For this task, Hennion draws on aesthetics (Adorno) and art history (Haskell, Baxandall), as well as science and technology studies and popular music studies (Latour, Frith, DeNora). As part of that project, The Passion for Music presents a wide-ranging series of case studies, restoring attention to the rich and varied intermediaries through which music is brought to life: from the debate around the reinterpretation of baroque music, to the classroom, the rock scene, the classical music concert, Bacha€?s a€?social careera€? in the nineteenth and twentieth centuries, and the practices of music a€?amateursa€? today. This is the first English translation of one of the most important works of French scholarship on music and society.
作者簡介
Antoine Hennion is one of the masters of music sociology. He is well known in the Anglophone world for his many articles published in journals such as Theory, Culture and Society, Poetics and Cultural Sociology and in key edited collections, such as Cultural Musicology (2003) and Derek Scotta€?s Ashgate Research Companion to Popular Musicology (2009). Hennion has held many important offices in international sociology associations (such as President of the ISA Network on Arts Sociology in the mid-1990s) and is a predominant figure in French Sociology today. He has been a visiting Professor at Princeton and Columbia.
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