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French Cinema and the Great War ─ Remembrance and Representation
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French Cinema and the Great War ─ Remembrance and Representation

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Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. This volume provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films. Presented in three thematic sections—Recording and Remembering the Great War, Women at the Front, and Interrogating Commemoration—the essays in this volume explore the ways in which French film contributes to the restoration and modification of memories of the war. Films such asLa Grande Illusion,King of Hearts,A Very Long Engagement, and Joyeux Noel are among those discussed in the volume’s examination of the various ways in which film mediates personal and collective memories of this critical historical event.

作者簡介

Marcelline Block is lecturer in history at Princeton University. She is the editor ofSituating the Feminist Gaze and Spectatorship in Postwar Cinema (2010) and author ofWorld Film Locations: Paris (2011).

Barry Nevinhas lectured on realist cinema and film theory, the classic French cinema (1930-1960), and modern French history. His research on Renoir’s pro-colonial propaganda will be published inStudies in French Cinema.

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優惠價:90 4207
若需訂購本書,請電洽客服 02-25006600[分機130、131]。

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