Super Extra Grande

With playfulness and ingenuity in the tradition of Douglas Adams, the Cuban science fiction master Yoss delivers a space opera of intergalactic proportions withSuper Extra Grande, the winner of the 20th annual UPC Science Fiction Award in 2011.

Set in a distant future, after the invention of faster-than-light space travel has propelled a still-immature mankind into the far corners of the Milky Way, the novel features creatures of immense variety—amoebas that cover entire worlds, sensual females that feed on substances from their males’ reproductive systems, talking reptiles, and other creations drawn from the classics of Cuban and international science fiction—all of which serve as colleagues, fellow adventurers, sex partners, teachers, or members of the military high command in the Galactic Community governing this part of the universe. Our protagonist, Jan Amos Sangan Dongo, has a special role in this otherworldly menagerie: He is a veterinarian who specializes in treating enormous animals across the galaxy. When a colonial conflict threatens the fragile peace between the Galaxy’s seven intelligent species, Dr. Sangan must embark on a daring mission to enter a gigantic creature and find two swallowed ambassadors—who also happen to be his competing love interests.

Coupling his own extensive studies in (earthly) biology with his vast curiosity and wild imagination, Yoss brings us a rare specimen in the richly parodic tradition of Cuban science fiction.

Born Jose Miguel Sanchez Gomez, Yoss assumed his pen name in 1988, when he won the Premio David in the science fiction category for Timshel. Together with his peculiar pseudonym, the author's aesthetic of an impentinent rocker has allowed him to stand out amongst his fellow Cuban writers. Earning a degree in Biology in 1991, he went on to graduate from the first ever course on Narrative Techniques at the Onelio Jorge Cardoso Center of Literary Training, in the year 1999. Today, Yoss writes both realistic and science fiction works. Alongside these novels, the author produces essays, reviews, and compilations, and actively promotes the Cuban science fiction literary workshops, Espiral and Espacio Abierto.

When he isn’t translating, David Frye teaches Latin American culture and society at the University of Michigan. Translations includeFirst New Chronicle and Good Government by Guaman Poma de Ayala (Peru, 1615);The Mangy Parrot by Jose Joaquin Fernandez de Lizardi (Mexico, 1816), for which he received a National Endowment for the Arts Fellowship;Writing across Cultures: Narrative Transculturation in Latin America by Angel Rama (Uruguay, 1982), and several Cuban and Spanish novels and poems.