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Situating Global Art ─ Topologies ?Temporalities ?Trajectories

Situating Global Art ─ Topologies ?Temporalities ?Trajectories

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Since the early 1990s, the term "global art" has gone hand in hand with an expansion of the canon, while not always reflecting the plurality of art worlds. This volume interrogates the relationship between the increasing globalization of artistic discourse and the situatedness of its practices. Focusing on multiple recent practices of art, curating, historiography, and criticism, the contributions ask how contemporary forms of critique not only take into account new hegemonies and exclusions but also address transcultural entanglements in the arts. Thus, they challenge universalizing conceptions of art in the age of globalization.

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Sarah Dornhof is a postdoctoral fellow at Freie Universitat Berlin, Germany.

Birgit Hopfener is a postdoctoral researcher in art history at Freie Universitat Berlin, Germany.

Barbara Lutz is a doctoral candidate in the Faculty of Arts, Aesthetics and Cultural Studies at University of Hildesheim, Germany.

Nanne Buurman is a doctoral candidate in the International Research Training Group InterArt at Freie Universitat Berlin, Germany.

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定價:100 2475
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(到貨天數約30-45天)

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