Broken Heart / Broken Wholeness ─ The Post-Holocaust Plea for Jewish Reconstruction of the Soviet Yiddish Writer Der Nister

In the summer of 1947, three years before his death in a labor camp hospital, one of the most significant Soviet Yiddish writers Der Nister (Pinkhas Kahanovitsh, 1884–1950) made a trip from Moscow to Birobidzhan, the Jewish Autonomous Region in the Russian Far East. He traveled there on a special migrant train, together with a thousand Holocaust survivors. The present study examines this journey as an original protest against the conformism of the majority of Soviet Jewish activists. In his travel notes, Der Nister described the train as the “modern Noah’s ark,” heading “to put an end to the historical silliness.” This rhetoric paraphrasing Nietzsche’s “historical sickness,” challenged the Jewish history in the Diaspora, which “broke” the people's mythical “wholeness.” Der Nister formulated his vision of a post-Holocaust Jewish reconstruction more clearly in his previously unknown notes (“Birobidzhan Manifesto”), the last that have reached us from Der Nister’s creative legacy, which are being discussed for the first time in this book. Without their own territory, he wrote, the Jews were like “a soul without a body or a body without a soul, and in either case, always a cripple.” Records of the fabricated investigation case against the “anti-Soviet nationalist grouping in Birobidzhan” reveal details about Der Nister’s thoughts and real acts. Both the records and the manifesto are being published here for the first time.

Ber Kotlerman is Associate Professor at the Department of Literature of the Jewish People, Bar Ilan University, where in 2011–14 he served as Academic Director of the Rena Costa Center for Yiddish Studies. His fields of interest include Jewish history in Russia, Eastern Europe, and Far East, Yiddish and Hebrew literature, Jewish theater and cinema. He is the author of Disenchanted Tailor in “Illusion”: Sholem Aleichem behind the Scenes of Early Jewish Cinema (Bloomington, IN, 2014), The Cultural World of Soviet Jewry (Raanana, 2014), In Search of Milk and Honey: The Theater of “Soviet Jewish Statehood” (Bloomington, IN, 2009), and Bauhaus in Birobidzhan (Tel Aviv, 2008); the editor of Mizrekh: Jewish Studies in the Far East, 2 vols. (Frankfurt am Main, 2009 and 2011), Yiddish Theater: Literature, Culture, and Nationalism (Ramat Gan, 2009); and the co-editor of Around the Point: Studies in Jewish Literature and Culture in Multiple Languages (Newcastle upon Tyne, 2014)