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The Bloomsbury Handbook of Religion and Popular Music
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The Bloomsbury Handbook of Religion and Popular Music

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The Bloomsbury Handbook of Religion and Popular Music provides the first systematic analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises thirty-four specifically commissioned essays from a team of international experts to explore the principal areas of inquiry, as well as suggesting new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions, popular music subcultures, as well as an extensive bibliography, discography and glossary, this volume provides the essential reference point for anyone with an interest in popular culture generally, as well as religion and popular music in particular.

Religious traditions covered include Christianity, Islam, Judaism, Hinduism and Buddhism, as well as paganism, occultism, and indigenous religions. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field.

作者簡介

Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include Mortality and Music: Popular Music and the Awareness of Death (Bloomsbury, 2015) The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2014), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.). He is co-editor of Bloomsbury Studies in Religion and Popular Music.

Marcus Moberg is Senior Researcher in the Department of Comparative Religion, Abo Akademi University, Finland. He is the author of Christian Metal (Bloomsbury, 2015). His research is focused on contemporary intersections between religion, new media, popular culture, and consumer culture.

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