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Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.
作者簡介
Christopher Langlois obtained his PhD at the University of Western Ontario in 2015, and then held a SSHRC Postdoctoral Fellowship in the Department of English at McGill University where he completed this book. In addition to having published articles in the journals Twentieth-Century Literature, College Literature, Mosaic, and The Faulkner Journal, he is the editor of Understanding Blanchot, Understanding Modernism (forthcoming 2018).
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