Essays on World Literature ─ Aeschylus, Dante, Shakespeare
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ISBN13:9781632061744
出版社:Restless Books
作者:Ismail Kadare; Ani Kokobobo (TRN)
出版日:2018/02/20
裝訂/頁數:平裝/304頁
規格:21cm*14cm (高/寬)
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The Man Booker International–winning author of Broken April and The Siege, Albania’s most renowned novelist, and perennial Nobel Prize contender Ismail Kadare explores three giants of world literature—Aeschylus, Dante, and Shakespeare—through the lens of resisting totalitarianism.
In isolationist Albania, which suffered under a Communist dictatorship for nearly half a century, classic global literature reached Ismail Kadare across centuries and borders—and set him free. The struggles of Hamlet, Dante, and Aeschylus’s tragic figures gave him an understanding of totalitarianism that shaped his novels. In these incisive critical essays informed by personal experience, Kadare provides powerful evidence that great literature is the enemy of dictatorship and imbues these timeless stories with powerful new meaning.
With eloquent prose and the narrative drive of a great mystery novel, Kadare renews our readings of the classics and lends them a distinctly Albanian tint. Like Mark Twain’s Mississippi River, Márquez’s Macondo, and Faulkner’s Yoknapatawpha County, Kadare’s Albania emerges as a microcosm of civilization; here, blood vengeance in mountain communities reaches the dramatic heights of Hamlet’s dilemma, funereal rites take on the air of Greek tragedy, and political repression gives life the feel of Dante’s nine circles of Hell.
Like Azar Nafisi’s Reading Lolita in Tehran, Essays on World Literature casts reading itself as a daring act of resistance to artistic suppression. Kadare’s insights into the Western canon secure his own place within it.
In isolationist Albania, which suffered under a Communist dictatorship for nearly half a century, classic global literature reached Ismail Kadare across centuries and borders—and set him free. The struggles of Hamlet, Dante, and Aeschylus’s tragic figures gave him an understanding of totalitarianism that shaped his novels. In these incisive critical essays informed by personal experience, Kadare provides powerful evidence that great literature is the enemy of dictatorship and imbues these timeless stories with powerful new meaning.
With eloquent prose and the narrative drive of a great mystery novel, Kadare renews our readings of the classics and lends them a distinctly Albanian tint. Like Mark Twain’s Mississippi River, Márquez’s Macondo, and Faulkner’s Yoknapatawpha County, Kadare’s Albania emerges as a microcosm of civilization; here, blood vengeance in mountain communities reaches the dramatic heights of Hamlet’s dilemma, funereal rites take on the air of Greek tragedy, and political repression gives life the feel of Dante’s nine circles of Hell.
Like Azar Nafisi’s Reading Lolita in Tehran, Essays on World Literature casts reading itself as a daring act of resistance to artistic suppression. Kadare’s insights into the Western canon secure his own place within it.
作者簡介
Ismail Kadare is Albania’s best known novelist, whose name is mentioned annually in discussions of the Nobel Prize. He won the inaugural Man Booker International Prize in 2005; in 2009 he received the Príncipe de Asturias de las Letras, Spain’s most prestigious literary award, and in 2015 he won the Jerusalem Prize. In 2016 he was named a Commandeur de la Légion d'Honneur. James Wood has written of his work, "Kadare is inevitably likened to Orwell and Kundera, but he is a far deeper ironist than the first, and a better storyteller than the second. He is a compellingly ironic storyteller because he so brilliantly summons details that explode with symbolic reality." His last book to be published in English, The Traitor's Niche, was nominated for the Man Booker International.
A native Albanian, Ani Kokobobo is assistant professor and director of Graduate Studies in the Department of Slavic Languages and Literatures at the University of Kansas where she teaches Russian literature and culture. Last summer, she published an edited volume: Russian Writers and the Fin de Siècle – The Twilight of Realism (Cambridge University Press, 2015). She has a monograph forthcoming, Russian Grotesque Realism: The Great Reforms and Gentry Decline (Ohio State University Press, 2017), as well as another edited volume, Beyond Moscow: Reading Russia’s Regional Identities and Initiatives (Routledge, 2017).
A native Albanian, Ani Kokobobo is assistant professor and director of Graduate Studies in the Department of Slavic Languages and Literatures at the University of Kansas where she teaches Russian literature and culture. Last summer, she published an edited volume: Russian Writers and the Fin de Siècle – The Twilight of Realism (Cambridge University Press, 2015). She has a monograph forthcoming, Russian Grotesque Realism: The Great Reforms and Gentry Decline (Ohio State University Press, 2017), as well as another edited volume, Beyond Moscow: Reading Russia’s Regional Identities and Initiatives (Routledge, 2017).
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