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Late Bresson and the Visual Arts ― Cinema, Painting and Avant-garde Experiment

Late Bresson and the Visual Arts ― Cinema, Painting and Avant-garde Experiment

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Critics have largely neglected the color films of French film director Robert Bresson (1901–99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema’s distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.

作者簡介

Raymond Watkins is assistant professor of teaching at the Pennsylvania State University. He previously taught at Case Western Reserve University, Oberlin College, and Colgate University.

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定價:100 8280
若需訂購本書,請電洽客服 02-25006600[分機130、131]。

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