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古典詩詞的女兒-葉嘉瑩
Two Plays of Weimar Germany ― Youth Is a Sickness and Criminals
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Two Plays of Weimar Germany ― Youth Is a Sickness and Criminals

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Two Plays of Weimar Germany offers new translations, by the renowned theater scholar and translator Laurence Senelick, of popular works by the playwright Ferdinand Bruckner: Youth Is a Sickness (Krankheit der Jugend) and Criminals (Die Verbrecher). 

Though his fame was later eclipsed by peers such as Bertolt Brecht, Bruckner was the celebrity dramatist of his time, and a new generation of readers is discovering his groundbreaking plays known for their strong cultural critique and unflinching portrayals of social ills, outcasts, and misfits. Youth Is a Sickness (1924) explores the lives of Germany's "lost generation," those who grew up during and after the cataclysm of the First World War, devoid of hope and ideals, lost in a haze of sex and drugs. Criminals (1926) traces several court cases about a failed double suicide, theft, abortion, and homosexual blackmail, controversial topics for the audience of its time and even today. Its innovative staging and interwoven storylines illuminate the imposed social tensions and legal injustice faced by the characters.

In this expert translation, readers can see Bruckner as a public intellectual, a man committed to commenting on the fate of Germany; humane values; and the past, present, and future in his work. With an introduction by the translator, this volume will be the definitive version for readers, actors, playwrights, and scholars.

作者簡介

Ferdinand Bruckner (born Theodor Tagger on 26 August 1891 in Sofia, Bulgaria) was an Austro-German writer and theatre manager. His father was an Austrian businessman and his mother a French translator. After the separation of his parents, he spent time in Vienna and Paris, and in Berlin where he began to study music. However, impressed by the Expressionist literary scene in Berlin, in 1916 he moved away from music and devoted himself to poetry. In the following years, he published several poetry collections and in 1917 he began the literary magazine Marsyas with texts from authors like Alfred Döblin and Hermanne Hesse. In 1922, he founded, in his real name, the Berlin Renaissance Theater, whose leadership he gave to Gustav Hartung in 1928. In 1929 and 1930 he released the pieces Krankheit der Jugend (Pains of Youth) and Elisabeth von England (Elizabeth of England) using the pseudonym Ferdinand Bruckner. After the success of these works, he revealed their authorship, although he changed his name permanently to Bruckner in 1946. In 1933 he emigrated to Paris and worked on the anti-fascist play Die Rassen. In 1936, he moved to the USA, although he achieved little success there. Twenty years after his flight from Germany in 1953 he returned to Berlin where he worked as an advisor to the Schiller Theater. He died in Berlin on 5 December 1958.

Laurence Senelick is Fletcher Professor of Drama and Oratory at Tufts University. He holds a Ph.D. from Harvard. His expertise is in Russian theatre and drama, history of popular entertainment, gender and performance, visual studies, history of directing, classical theory. Prof. Senelick is the author or editor of more than twenty-five books, the most recent being Soviet Theatre: A Documentary History; Stanislavsky: A Life in Letters; The American Stage: Writing on the American Theatre (Library of America) and A Historical Dictionary of Russian Theatre.

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