The Essential Duchamp
商品資訊
ISBN13:9780300233117
出版社:Yale Univ Pr
作者:Matthew Affron; C嶰ile Debray (CON); Alexander Kauffman (CON); Michael R. Taylor (CON); John Vick (CON)
出版日:2018/11/13
裝訂/頁數:平裝/232頁
規格:22.9cm*20.3cm*1.3cm (高/寬/厚)
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An engaging and accessible introduction to one of the 20th century’s greatest and most enigmatic artists
This richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887–1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work.
Focusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, The Essential Duchamp tells the artist’s story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Sélavy and the optical experiments of the interwar years, and, finally, by the making of Étant donnés (1946–66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas—readymade, precision optics, pictorial nominalism, and infrathin—as well as interviews and statements by the artist about his own art and ideas.
This richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887–1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work.
Focusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, The Essential Duchamp tells the artist’s story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Sélavy and the optical experiments of the interwar years, and, finally, by the making of Étant donnés (1946–66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas—readymade, precision optics, pictorial nominalism, and infrathin—as well as interviews and statements by the artist about his own art and ideas.
作者簡介
Matthew Affron is the Muriel and Philip Berman Curator of Modern Art, Philadelphia Museum of Art. Cécile Debray is director at the Musée de l’Orangerie, Paris. Alexander Kauffman is the Andrew W. Mellon–Anne d’Harnoncourt Postdoctoral Curatorial Fellow, Philadelphia Museum of Art. Michael R. Taylor is chief curator and deputy director for art and education, Virginia Museum of Fine Arts, Richmond. John Vick is collections project manager, Philadelphia Museum of Art.
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