The Art of Law ― Artistic Representations and Iconography of Law and Justice in Context, from the Middle Ages to the First World War
商品資訊
系列名:Ius Gentium: Comparative Perspectives on Law and
ISBN13:9783319907864
出版社:Springer Nature
作者:Stefan Huygebaert (EDT); Georges Martyn (EDT); Vanessa Paumen (EDT); Eric Bousmar (EDT); Xavier Rousseaux (EDT)
出版日:2018/11/21
裝訂:精裝
規格:23.5cm*15.9cm*3.2cm (高/寬/厚)
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The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.
作者簡介
Stefan Huygebaert is a Research Foundation Flanders (FWO) PhD Fellow at the Ghent Legal History Institute and Department of Art History, Musicology and Theatre Studies (Ghent University). His dissertation, entitled Visual Ideals of Law and Justice, is an iconological study of legal imagery in nineteenth-century Belgium. In 2014-2015, and again in 2016-2017, Stefan was a PhD fellow (Stipendiat) within the Minerva Research Group ‘The Nomos of Images: Manifestation and Iconology of Law’ at the Kunsthistorisches Insitut in Florenz (Max-Planck-Institut). He publishes and teaches on legal iconography and nineteenth-century art, and recently co-edited the catalogue for the exhibition The Art of Law: Three Centuries of Justice Depicted (Groeningemuseum, Bruges).
Vanessa Paumen is an art historian focused on Northern Renaissance art. Since 2010, she has been the coordinator of The Flemish research centre for the arts in the Burgundian Netherlands at the Groeningemuseum in Bruges (Belgium). Its mission is to initiate, facilitate, stimulate and disseminate research related to Flemish art of the 15th-16th centuries. She was curator of the exhibition "The art of law. Three centuries of justice depicted" at the Groeningemuseum (27 October 2016 – 5 February 2017) and author/editor of the accompanying catalogue, published by Lannoo Publishers, 2016.
Eric Bousmar is full professeur at the Universite Saint-Louis in Brussels, where he is co-director of the Centre de Recherches en Histoire du Droit et des Institutions. He has got a doctoral degree in history from the Universite catholique de Louvain, and a degree in medieval studies from the Katholieke Universiteit Leuven. He mainly publishes on power, society and mentality in the Southern Low Countries, particularly in the Burgundian era (XV-XVI c.), as well as on the art of history writing throughout the ages, stressing the interaction of literature and history, especially in relation to the Burgundian State, Belgium and Brabant.
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