The Owl Was a Baker Daughter
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系列名:Colorado Prize for Poetry
ISBN13:9781885635655
出版社:Center for Literary Pub
作者:Gillian Cummings
出版日:2018/11/21
裝訂/頁數:平裝/79頁
規格:17.8cm*15.2cm*1.3cm (高/寬/厚)
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In The Owl Was a Baker’s Daughter, Gillian Cummings gives voice to her version of Ophelia, a young woman shattered by unbearable losses, and questions what makes a mind unwind till the outcome is deemed a suicide. Ophelia’s story, spoken quietly, lyrically, in prose poems whose tone is unapologetically feminine, is bracketed by short, whittled-down once-sonnets featuring other Ophelias, nameless “she” and “you” characters who address the question of madness and its aftermath. These women and girls want to know, what is God when the soul is at its nadir of suffering, and how can one have faith when living with a mind that wants to destroy itself?
If it is true, as Joseph Campbell said, that “the psychotic drowns in the same waters in which the mystic swims with delight,” then Cummings strains the boundaries of this notion: “Is it the same? The desire to end a life / and the need to know how: a flower’s simple bliss?” Her women and girls, part “little heavenling” and part “small hellborn,” understand the emptiness of utmost despair and long for that other emptiness, which can be thought of as union with God, the death of the troublesome ego. Cummings’s poetic ancestors may be Dickinson and Plath and her source here Shakespeare, but more contemporary voices also echo in her poems, those of Lucie Brock-Broido, Larissa Szporluk, and Cynthia Cruz. Here, in The Owl Was a Baker’s Daughter, is what might happen if, after sealing off the doors and turning on the gas, indeed, after dying, a poet had come to embrace the holiness in how “all dissolves: one color, / one moon, all earth, red as love, red as living.”
If it is true, as Joseph Campbell said, that “the psychotic drowns in the same waters in which the mystic swims with delight,” then Cummings strains the boundaries of this notion: “Is it the same? The desire to end a life / and the need to know how: a flower’s simple bliss?” Her women and girls, part “little heavenling” and part “small hellborn,” understand the emptiness of utmost despair and long for that other emptiness, which can be thought of as union with God, the death of the troublesome ego. Cummings’s poetic ancestors may be Dickinson and Plath and her source here Shakespeare, but more contemporary voices also echo in her poems, those of Lucie Brock-Broido, Larissa Szporluk, and Cynthia Cruz. Here, in The Owl Was a Baker’s Daughter, is what might happen if, after sealing off the doors and turning on the gas, indeed, after dying, a poet had come to embrace the holiness in how “all dissolves: one color, / one moon, all earth, red as love, red as living.”
作者簡介
Gillian Cummings is the author of My Dim Aviary, winner of the 2015 Hudson Prize, as well as the chapbooks Ophelia, Petals as an Offering in Darkness, and Spirits of the Humid Cloud. Her poems have appeared in Boulevard, the Cincinnati Review, Colorado Review, Denver Quarterly, the Laurel Review, the Massachusetts Review, Quarterly West, Verse Daily, and others. A graduate of Stony Brook University and of Sarah Lawrence College’s MFA program, she was awarded the Dorothy Sargent Rosenberg Memorial Fund Poetry Prize in 2008. Cummings lives in Westchester County, New York.
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