滿額折
Jan Henderikse: Mint
商品資訊
ISBN13：9788857239811
出版社：Skira
作者：Francesca Pola
出版日：2019/07/18
裝訂／頁數：精裝／112頁
規格：28cm*24cm*1.9cm (高/寬/厚)
商品簡介
相關商品
商品簡介
The work by one of the key players in European art after 1960.
Dutch artist Jan Henderikse is a pivotal figure in twentieth-century art: since the 1950s, his work has developed beyond the traditional notions of painting and sculpture, to redefine the coordinates of artistic imagery. First, by neutralizing the surface into the monochrome; then, since 1959, by employing unconventional materials and techniques in “allover” compositions that mark his distinctive language. Looking for everyday used objects (such as empty crates, bottles, corks, license plates, coins, bills, parts of toys, found photographs, and others), which he perceives as loaded with human and emotional content and interest, Henderikse combines them into assemblages and serial accumulations, sequences and multimedia installations, in order to show the immediate power of their significance.
Born in Delft, the Netherlands, in 1937 Jan Henderikse Henderikse moved to Cologne in 1959, and shortly thereafter to Düsseldorf. While in Düsseldorf, one of the epicentres of the post-war European avant-garde, Henderikse made contact with the circle of international ZERO artists, and engaged in a close friendship with German ZERO-artist Günther Uecker. Starting in 1959, Henderikse developed a highly distinctive visual language, focusing on assemblages, readymades and installations. In 1968 Henderikse moved to New York, working mainly with assemblages of found objects and photographic sequences.
His works can be found in the collections of museums around the world, and in 2014 and 2015 were featured in the ZERO exhibitions at the Guggenheim Museum in New York, the Martin Gropius Bau in Berlin, and the Stedelijk Museum in Amsterdam. The artist currently lives and works in Brooklyn, New York and Antwerp, Belgium.
Dutch artist Jan Henderikse is a pivotal figure in twentieth-century art: since the 1950s, his work has developed beyond the traditional notions of painting and sculpture, to redefine the coordinates of artistic imagery. First, by neutralizing the surface into the monochrome; then, since 1959, by employing unconventional materials and techniques in “allover” compositions that mark his distinctive language. Looking for everyday used objects (such as empty crates, bottles, corks, license plates, coins, bills, parts of toys, found photographs, and others), which he perceives as loaded with human and emotional content and interest, Henderikse combines them into assemblages and serial accumulations, sequences and multimedia installations, in order to show the immediate power of their significance.
Born in Delft, the Netherlands, in 1937 Jan Henderikse Henderikse moved to Cologne in 1959, and shortly thereafter to Düsseldorf. While in Düsseldorf, one of the epicentres of the post-war European avant-garde, Henderikse made contact with the circle of international ZERO artists, and engaged in a close friendship with German ZERO-artist Günther Uecker. Starting in 1959, Henderikse developed a highly distinctive visual language, focusing on assemblages, readymades and installations. In 1968 Henderikse moved to New York, working mainly with assemblages of found objects and photographic sequences.
His works can be found in the collections of museums around the world, and in 2014 and 2015 were featured in the ZERO exhibitions at the Guggenheim Museum in New York, the Martin Gropius Bau in Berlin, and the Stedelijk Museum in Amsterdam. The artist currently lives and works in Brooklyn, New York and Antwerp, Belgium.
今日66折
您曾經瀏覽過的商品
購物須知
外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
無庫存之商品，在您完成訂單程序之後，將以空運的方式為你下單調貨。為了縮短等待的時間，建議您將外文書與其他商品分開下單，以獲得最快的取貨速度，平均調貨時間為1~2個月。
為了保護您的權益，「三民網路書店」提供會員七日商品鑑賞期(收到商品為起始日)。
若要辦理退貨，請在商品鑑賞期內寄回，且商品必須是全新狀態與完整包裝(商品、附件、發票、隨貨贈品等)否則恕不接受退貨。