Arpeggios!: Inversions And Superimposition Over Popular Standard Chord Progressions Volume 3

Volume 3 of Arpeggios covers arpeggio inversions and superimposition for the following popular jazz chord progression: Fm7 Bbm7 Eb7 Abmaj7 Dbmaj7 G7 Cmaj7 Cmaj7 Cm7 Fm7 Bb7 Ebmaj7 Abmaj7 Am7 D7 Gmaj7 Gmaj7 Am7 D7 Gmaj7 Gmaj7 F#m7 B7 Emaj7 C7#5 Fm7 Bbm7 Eb7 Abmaj7 Dbmaj7 Dbm7 Cm7 Bdim7 Bbm7 Eb7 Amaj7 Amaj7 The arpeggio exercises follow the ATTYA progression through different inversions played over three adjacent strings in four positions of the neck. This approach allows the reader to become familiar with shapes found inside the common one and two octave patterns that originate from the root, which is the focus of most arpeggio studies. Being able to visualize the patterns this way is very beneficial to recognizing common tone and voice leading opportunities when soloing and comping. All examples are presented with separate notation and tablature pages.The latter part of the book takes the shapes learned in Section One and superimposes them over the chord progression in ways that extend the harmony to create more interesting and modern sounds. Although the focus here is on popular jazz progressions, these ideas can be applied to any genre of music.