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Theatre History Studies 2021, Vol 40
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ISBN13：9780817371159
出版社：Univ of Alabama Pr
作者：Lisa Jackson-Schebetta(EDI)
出版日：2022/01/11
裝訂：平裝
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A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference Introduction
--LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I
STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason
--ODAI JOHNSON Caricatured, Marginalized,
and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936-1939
--JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate
--SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance
--ANGELA K. AHLGREN PART II
WITCH CHARACTERS AND WITCHY PERFORMANCE Editor's Introduction to the Special Section
Shifting Shapes: Witch Characters and Witchy Performances
--CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie's Witchcraft
--JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale
--JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom
--MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked
--REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell
--DAVID BISAHA PART III
Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020
New Conventions for a New Generation: High School Musicals and Broadway in the 2010s
--LINDSEY MANTOAN
--LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I
STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason
--ODAI JOHNSON Caricatured, Marginalized,
and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936-1939
--JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate
--SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance
--ANGELA K. AHLGREN PART II
WITCH CHARACTERS AND WITCHY PERFORMANCE Editor's Introduction to the Special Section
Shifting Shapes: Witch Characters and Witchy Performances
--CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie's Witchcraft
--JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale
--JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom
--MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked
--REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell
--DAVID BISAHA PART III
Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020
New Conventions for a New Generation: High School Musicals and Broadway in the 2010s
--LINDSEY MANTOAN
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