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Con La Literatura En El Cuerpo / Literature in the Body
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ISBN13：9786073844079
出版社：Debolsillo
作者：Alberto Ruy Sánchez
出版日：2024/11/19
裝訂：平裝
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«Tiene raz鏮 Octavio Paz al se鎙lar a Ruy S嫕chez como uno de los mejores ensayistas contempor嫕eos. Cada uno de sus textos tiene la riqueza narrativa de una novela y la inteligencia anal癃ica para se鎙lar los temas fundamentales de nuestro tiempo. -Claude-Michel Cluny
Catorce ensayos narrativos sobre c鏔o viven grandes escritores la melancol燰 y c鏔o la enfrentan creativamente. Escritores que son claves de toda la obra de Ruy S嫕chez --Rilke en Par疄, Yourcenar, Pasolini, Calvino, Beckett, Frisch, Hugo, Savinio-- son le獮os como grandes catedrales g鏒icas. En otros 嫥bitos, gracias a llevar la literatura en el cuerpo sobreviven a las opresiones g鏒icas del totalitarismo contempor嫕eo Zamiatin y Orwell, Istrati, Herling, Shostakovich y Nadiezhda Mandelstam. Dos tumbas g鏒icas de sus maestros, Michel Foucault y Roland Barthes, cierran el par幯tesis que abri?en el libro con una introducci鏮 sobre la naturaleza del ensayo, donde el mismo Roland Barthes ofrece la primera lecci鏮 vital de pensamiento y escritura. ENGLISH DESCRIPTION A dialogue with the inhabitants of the great melancholic dream of the twentieth century.
Sixteen narrative essays written with the prose that defines Alberto Ruy S嫕chez, revisits a protagonist--melancholy--that acts by the self and vindicates the body. The essays are divided in three sections. The first one, "Memories of Gothic Cathedrals," discusses the life and work of writers possessed by forces that overcome them, and for whom the vortex of living is visible in their work: Rilke, Alberto Savinio, Pier Paolo Pasolini, Italo Calvino, Marguerite Yourcenar, Samuel Beckett, Max Frisch, and Victor Hugo. The second part, "Memories of Gothic Prisons," gathers writers under the destructive effect of dictatorial regimes. Those who survive bare the imprint of a shadow on their skin: Mikhail Shostakovich, Nadezhda Mandelstam, Eugeny Zamiatin, Geroge Orwell, Panait Istrati, Herling, Dostoyevsky, and Solzhenitsyn. The third part, "Memories of Gothic Tombs," addresses writers we lost while this book was being written. Each essay is a tombstone, a line onto them: Michel Foucault and Roland Barthes.
Catorce ensayos narrativos sobre c鏔o viven grandes escritores la melancol燰 y c鏔o la enfrentan creativamente. Escritores que son claves de toda la obra de Ruy S嫕chez --Rilke en Par疄, Yourcenar, Pasolini, Calvino, Beckett, Frisch, Hugo, Savinio-- son le獮os como grandes catedrales g鏒icas. En otros 嫥bitos, gracias a llevar la literatura en el cuerpo sobreviven a las opresiones g鏒icas del totalitarismo contempor嫕eo Zamiatin y Orwell, Istrati, Herling, Shostakovich y Nadiezhda Mandelstam. Dos tumbas g鏒icas de sus maestros, Michel Foucault y Roland Barthes, cierran el par幯tesis que abri?en el libro con una introducci鏮 sobre la naturaleza del ensayo, donde el mismo Roland Barthes ofrece la primera lecci鏮 vital de pensamiento y escritura. ENGLISH DESCRIPTION A dialogue with the inhabitants of the great melancholic dream of the twentieth century.
Sixteen narrative essays written with the prose that defines Alberto Ruy S嫕chez, revisits a protagonist--melancholy--that acts by the self and vindicates the body. The essays are divided in three sections. The first one, "Memories of Gothic Cathedrals," discusses the life and work of writers possessed by forces that overcome them, and for whom the vortex of living is visible in their work: Rilke, Alberto Savinio, Pier Paolo Pasolini, Italo Calvino, Marguerite Yourcenar, Samuel Beckett, Max Frisch, and Victor Hugo. The second part, "Memories of Gothic Prisons," gathers writers under the destructive effect of dictatorial regimes. Those who survive bare the imprint of a shadow on their skin: Mikhail Shostakovich, Nadezhda Mandelstam, Eugeny Zamiatin, Geroge Orwell, Panait Istrati, Herling, Dostoyevsky, and Solzhenitsyn. The third part, "Memories of Gothic Tombs," addresses writers we lost while this book was being written. Each essay is a tombstone, a line onto them: Michel Foucault and Roland Barthes.
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