"The ancient commentators have attracted increasing attention in the last three decades, but it is only now with the publication of Miira Tuominen's book that we have the first systematic introduction
Frisbee Sheffield argues that the Symposium has been unduly marginalized by philosophers. Although the topic - eros - and the setting at a symposium have seemed anomalous, she demonstrates that both a
Faced with the difficult task of discerning Plato’s true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within a
The Phaedo is acknowledged to be one of Plato's masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, th
"Once upon a time there were just the gods; mortal beings did not yet exist." We are used to thinking of myths containing lines like this simply as stories, and modern myths as made up and fictitiou
Platonic Patternsis a reprint collection of many of Holger Thesleff's studies in Plato—spanning from 1967 to 2003. It includes three books, four articles and a new introduction by t
In archaic societies myths were believed to tell true stories - stories about the ultimate origin of reality. For us, on the contrary, the term 'myth' denotes a false belief. Between the archaic notion of myth and ours stands Plato's. This volume is a collection of ten studies by eminent scholars that focus on the ways in which some of Plato's most famous myths are interwoven with his philosophy. The myths discussed include the eschatological myths of the Gorgias, the Phaedo, the Republic and Laws 10, the central myths of the Phaedrus and the Statesman, and the so-called myth of the Noble Lie from the Republic. The mythical character of the Timaeus cosmology is also amply discussed. The volume also contains seventeen rare Renaissance illustrations of Platonic myths. The contributors argue that in Plato myth and philosophy are tightly bound together, despite Plato's occasional claim that they are opposed modes of discourse.
In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC. The guests--including the comic poet Aristophanes and Plato's mentor Socrates--each deliver a
Marsilio Ficino (1433–1499), the Florentine scholar-philosopher-magus, was largely responsible for the Renaissance revival of Plato. The publication of his Latin translations of the dialogues in 1484
The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and state-of-the-art survey of current thinking and research in a particular area. Spe
These new translations of the Defence of Socrates, the Euthyphro, and the Crito present Plato's remarkable dramatizations of the momentous events surrounding the trial of Socrates in 399 BC, on charge
The Commentary on Plato's Parmenides by Proclus (AD 412-85) is the most important document from ancient philosophy on the interpretation of this enigmatic dialogue, and has had a crucial influence on
Plato's Symposium, written in the early part of the 4th century BC, is set at a drinking party (symposium) attended by some of the leading intellectuals of the day, including Aristophanes, the comic dramatist, Socrates, Plato's mentor, and Alcibiades, the brilliant but (eventually) treacherous politician. Each guest gives a speech in praise of the benefits of desire and its role in the good and happy human life. At the core of the work stands Socrates' praise of philosophical desire, and an argument for the superiority of the philosophical life as the best route to happiness. This edition provides an accessible and engaging new translation by M. C. Howatson, and a substantial introduction, by Frisbee C. C. Sheffield, which guides the reader through the various parts of the dialogue and reflects on its central arguments. A chronology and detailed notes on the participants help to set this enduring work in context.
Heraclides of Pontus hailed from the shores of the Black Sea. He studied with Aristotle in Plato's Academy, and became a respected member of that school. During Plato's third trip to Sicily, Heraclid
A new translation of the complete texts of The Republic, The Apology, Crito, Phaido, Ion, Meno, and Symposium reveals the genius of Plato as he struggled with education, justice, the "philosopher kin
Fritz-Gregor (classics and ancient history, Swansea U., Wales) approaches the work of the premier ancient Greek philosopher through particular terms that he uses. He analyzes the various philosophical
Scholarship on Plato's dialogues persistently divides its focus between the dramatic or literary and the philosophical or argumentative dimensions of the texts. But this hermeneutic division of labor
Plato's dialogues are usually understood as simple examples of philosophy in action. In this book Professor Rowe treats them rather as literary-philosophical artefacts, shaped by Plato's desire to persuade his readers to exchange their view of life and the universe for a different view which, from their present perspective, they will barely begin to comprehend. What emerges is a radically new Plato: a Socratic throughout, who even in the late dialogues is still essentially the Plato (and the Socrates) of the Apology and the so-called 'Socratic' dialogues. This book aims to understand Plato both as a philosopher and as a writer, on the assumption that neither of these aspects of the dialogues can be understood without the other. The argument of the book is closely based in Plato's text, but should be accessible to any serious reader of Plato, whether professional philosopher, classicist, or student.
In the Cratylus dialogue, Plato reflects on the relationship between language and his philosophy; Proclus' commentary on it likewise reflects on the relationship between language and his own neoplaton
