The author focuses especially on two circular processes: the two-way relationship between the course of the Arab-Israeli conflict and Israel’s national identity; and efforts by leaders to shape that n
From a Christian, Greek- and Armenian-speaking land to a predominantly Muslim and Turkish speaking one, the Islamisation of medieval Anatolia would lay the groundwork for the emergence of the Ottoman Empire as a world power and ultimately the modern Republic of Turkey. Bringing together previously unpublished sources in Arabic, Persian and Turkish, Peacock offers a new understanding of the crucial but neglected period in Anatolian history, that of Mongol domination, between c. 1240 and 1380. This represents a decisive phase in the process of Islamisation, with the popularisation of Sufism and the development of new forms of literature to spread Islam. This book integrates the study of Anatolia with that of the broader Islamic world, shedding new light on this crucial turning point in the history of the Middle East.
Offering a new perspective on Iran's politics and culture in the 1960s and 1970s, Ali Mirsepassi challenges the prevailing view of pre-Revolution Iran, documenting how the cultural elites of the Pahlavi State promoted a series of striking 'Gharbzadegi' or 'Westoxification' discourses. Intended as ideological alternatives to modern and Western-inspired cultural attitudes, these influenced Persian identity politics, and projected Iranian modernity as a 'mistaken modernity' despite the regime's own ferocious modernisation programme. Focusing on the cultural transformations which defined the period, Mirsepassi sheds new light on the Pahlavi State as an ideological gambler, inadvertently empowering its fundamentalist enemies and spreading a 'quiet revolution' through secular and religious civil society. Proposing a new theoretical framework for understanding the anti-modern discourses of Ahmad Fardid, Jalal Al-e Ahmad, and Ali Shari'ati, Iran's Quiet Revolution is a radical re-interpretatio
Offering a new perspective on Iran's politics and culture in the 1960s and 1970s, Ali Mirsepassi challenges the prevailing view of pre-Revolution Iran, documenting how the cultural elites of the Pahlavi State promoted a series of striking 'Gharbzadegi' or 'Westoxification' discourses. Intended as ideological alternatives to modern and Western-inspired cultural attitudes, these influenced Persian identity politics, and projected Iranian modernity as a 'mistaken modernity' despite the regime's own ferocious modernisation programme. Focusing on the cultural transformations which defined the period, Mirsepassi sheds new light on the Pahlavi State as an ideological gambler, inadvertently empowering its fundamentalist enemies and spreading a 'quiet revolution' through secular and religious civil society. Proposing a new theoretical framework for understanding the anti-modern discourses of Ahmad Fardid, Jalal Al-e Ahmad, and Ali Shari'ati, Iran's Quiet Revolution is a radical re-interpretatio
