An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of v
This book grew out of Yvonne Spielmann's 2005--2006 and 2009 visits to Japan, whereshe explored the technological and aesthetic origins of Japanese new-media art--which was known forpioneering interac
An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of v