It may have been true once that (as the famous cartoon of the 1990s put it) "Nobody knows you're a dog on the Internet," and that (as an MCI commercial of that era declared) on the Internet
In Returning the Gaze Anna Everett revises American film history by recuperating the extensive and all-but-forgotten participation of black film critics during the early twentieth century. While much
Deftly interweaving history, culture, and critical theory, Anna Everett traces the rise of black participation in cyberspace, particularly during the early years of the Internet. She challenges the p
Traces the rise of black participation in cyberspace, particularly during the early years of the Internet. The author challenges the problematic historical view of black people as quintessential info
An exploration of how issues of race and ethnicity play out in a digital medialandscape that includes MySpace, post-9/11 politics, MMOGs, Internet music distribution, and thedigital divide.
In Returning the Gaze Anna Everett revises American film history by recuperating the extensive and all-but-forgotten participation of black film critics during the early twentieth century. While much
In the 1990s, American civil society got upended and reordered as many social, cultural, political, and economic institutions were changed forever. Pretty People examines a wide range of Hollywood ico
The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of technologies like DVDs, MP3s and the Internet has freed the public from what
