Aesthetic theory in the West has, until now, been dominated by ideas of effect, autonomy, and reception. Transformative Aesthetics uncovers these theories’ mutual concern with the transformation of th
Jerome Bel’s Disabled Theater polarizes the public: on the one hand celebrated as an outstanding conceptual dance piece, on the other hand harshly criticized for being a contemporary “freak show”. In
From its very beginnings, theatre has been both an art and a public space, shared by actors and spectators. As a result, its entity and history is intimately tied to politics: a politics of inclusion
