The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe's writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom's Cabin, as well as on topics of perennial interest, such as Stowe's representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe's impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe's writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe's work. The volume, which offers a comprehensive chronology of Stowe's life and a helpful guide to further reading, will be of interest to students and teachers alike.
In Time, Tense, and American Literature, Cindy Weinstein examines canonical American authors who employ a range of tenses to tell a story that has already taken place. This book argues that key texts in the archive of American literature are inconsistent in their retrospective status, ricocheting between past, present and future. Taking 'The Narrative of Arthur Gordon Pym' as her point of departure, Weinstein shows how Poe's way of representing time involves careening tenses, missing chronometers and inoperable watches, thus establishing a vocabulary of time that is at once anticipated in the fiction of Charles Brockden Brown and further articulated in works by Elizabeth Stuart Phelps, Theodore Dreiser and Edward P. Jones. Each chapter examines the often strange narrative fabric of these novels and presents an opportunity to understand how especially complicated historical moments, from the founding of the new nation to the psychic consequences of the Civil War, find contextual
In Family, Kinship, and Sympathy in Nineteenth-Century American Literature Cindy Weinstein radically revises our understanding of nineteenth-century sentimental literature in the United States. She argues that these novels are far more complex than critics have suggested. Rather than confirming the power of the bourgeois family, Weinstein argues, sentimental fiction used the destruction of the biological family as an opportunity to reconfigure the family in terms of love rather than consanguinity. Their texts intervened in debates about slavery, domestic reform and other social issues of the time. Weinstein shows how canonical texts, such as Melville's Pierre and works by Stowe and Twain, can take on new meaning when read in the context of nineteenth-century sentimental fiction. Through intensive close readings of a wide range of novels, this groundbreaking study demonstrates the aesthetic and political complexities in this important and influential genre.
The Literature of Labor and the Labors of Literature juxtaposes representations of labour in fictional texts and non-fictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. Both allegory and the new forms of labour produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism. Using this contextualized model of allegory, Weinstein argues that texts by Hawthorne, Melville, Twain and Adams are best understood both as allegories of labour (that is, the allegorical representations of the nature and cost of being a labouring being) and labours of allegory (that is, the visibility of the author's work of representation). Weinstein revolutionizes the notion of allegorical narrative, which is exposed as a literary medium of greater depth and consequence than has previously been implied - a working authorial
The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe's writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom's Cabin, as well as on topics of perennial interest, such as Stowe's representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe's impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe's writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe's work. The volume, which offers a comprehensive chronology of Stowe's life and a helpful guide to further reading, will be of interest to students and teachers alike.
In Family, Kinship, and Sympathy in Nineteenth-Century American Literature Cindy Weinstein radically revises our understanding of nineteenth-century sentimental literature in the United States. She argues that these novels are far more complex than critics have suggested. Rather than confirming the power of the bourgeois family, Weinstein argues, sentimental fiction used the destruction of the biological family as an opportunity to reconfigure the family in terms of love rather than consanguinity. Their texts intervened in debates about slavery, domestic reform and other social issues of the time. Weinstein shows how canonical texts, such as Melville's Pierre and works by Stowe and Twain, can take on new meaning when read in the context of nineteenth-century sentimental fiction. Through intensive close readings of a wide range of novels, this groundbreaking study demonstrates the aesthetic and political complexities in this important and influential genre.
The Literature of Labor and the Labors of Literature juxtaposes representations of labour in fictional texts and non-fictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. Both allegory and the new forms of labour produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism. Using this contextualized model of allegory, Weinstein argues that texts by Hawthorne, Melville, Twain and Adams are best understood both as allegories of labour (that is, the allegorical representations of the nature and cost of being a labouring being) and labours of allegory (that is, the visibility of the author's work of representation). Weinstein revolutionizes the notion of allegorical narrative, which is exposed as a literary medium of greater depth and consequence than has previously been implied - a working authorial
This book brings together leading critics in American literature to address the representation of time throughout a wide range of genres, methodologies, and chronological periods. American literature, from its beginnings to the present, provides a particularly rich set of texts to examine in this regard, with its interest in history, modernity and progress. Each essay considers how time embeds itself in a variety of textual representations, including Native American rituals, Shaker dances, novels, poetry, and magazines in order to provide readers with a capacious view of time's constitutive role in American literature. The essays are organized into four sections - Materializing Time, Performing Time, Timing Time, and Theorizing Time. Each section reflects a particular approach to the question of time, but taken as a whole the volume makes visible unexpected temporal patterns that cut across time period and genre.
Rethinking the category of aesthetics in light of recent developments in literary theory and social criticism, the contributors to this volume showcase the interpretive possibilities available to thos
Rethinking the category of aesthetics in light of recent developments in literary theory and social criticism, the contributors to this volume showcase the interpretive possibilities available to thos
This Norton Critical Edition includes:· The Harper & Brothers 1852 first edition of the novel, accompanied by Robert S. Levine and Cindy Weinstein’s editorial matter.· Six illustrations.· Contextual a
