This book revolutionises our understanding of race. Building upon the insight that races are products of culture rather than biology, Colin Kidd demonstrates that the Bible - the key text in Western culture - has left a vivid imprint on modern racial theories and prejudices. Fixing his attention on the changing relationship between race and theology in the Protestant Atlantic world between 1600 and 2000 Kidd shows that, while the Bible itself is colour-blind, its interpreters have imported racial significance into the scriptures. Kidd's study probes the theological anxieties which lurked behind the confident facade of of white racial supremacy in the age of empire and race slavery, as well as the ways in which racialist ideas left their mark upon new forms of religiosity. This is essential reading for anyone interested in the histories of race or religion.
This book examines how the dramatic intellectual developments of the Scottish Enlightenment undermined a patriotic reading of Scotland's history, and shows how this had long-term consequences in the failure of the nineteenth-century Scottish intelligentsia to mount a nationalist movement comparable to the romantic nationalisms of other European peoples. The volume sheds fresh light on several important areas of Scottish history and literature: on the parliamentary Union with England of 1707, the ideological conflicts between whigs and Jacobites, and the literary mythmaking of James Macpherson's Ossian and Sir Walter Scott's Waverley novels. It also addresses the broader questions of the impact of the Scottish Enlightenment on British political culture, and the enigma of British national identity itself.
This book examines how the dramatic intellectual developments of the Scottish Enlightenment undermined a patriotic reading of Scotland's history, and shows how this had long-term consequences in the failure of the nineteenth-century Scottish intelligentsia to mount a nationalist movement comparable to the romantic nationalisms of other European peoples. The volume sheds fresh light on several important areas of Scottish history and literature: on the parliamentary Union with England of 1707, the ideological conflicts between whigs and Jacobites, and the literary mythmaking of James Macpherson's Ossian and Sir Walter Scott's Waverley novels. It also addresses the broader questions of the impact of the Scottish Enlightenment on British political culture, and the enigma of British national identity itself.
The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance and futility. Crossing conventional disciplinary boundaries, Colin Kidd excavates Casaubon's hinterland, and illuminates the fierce ideological war which raged over the use of pagan myths to defend Christianity from the existential threat posed by radical Enlightenment criticism. Notwithstanding Eliot's portrayal of Casaubon, Anglican mythographers were far from unworldly, and actively rebutted the radical freethinking associated with the Enlightenment and French Revolution. Orientalism was a major theatre in this ideological conflict, and mythography also played an indirect but influential role in framing the new science of anthropology. The World of Mr Casaubon is rich in interdisciplinary twists and ironies, and paints a vivid picture
Inspired by debates among political scientists over the strength and depth of the pre-modern roots of nationalism, this study attempts to gauge the status of ethnic identities in an era whose dominant loyalties and modes of political argument were confessional, institutional and juridical. Colin Kidd's point of departure is the widely shared orthodox belief that the whole world had been peopled by the offspring of Noah. In addition, Kidd probes inconsistencies in national myths of origin and ancient constitutional claims, and considers points of contact which existed in the early modern era between ethnic identities which are now viewed as antithetical, including those of Celts and Saxons. He also argues that Gothicism qualified the notorious Francophobia of eighteenth-century Britons. A wide-ranging example of the new British history, this study draws upon evidence from England, Scotland, Ireland and America, while remaining alert to European comparisons and influences.
Inspired by debates among political scientists over the strength and depth of the pre-modern roots of nationalism, this study attempts to gauge the status of ethnic identities in an era whose dominant loyalties and modes of political argument were confessional, institutional and juridical. Colin Kidd's point of departure is the widely shared orthodox belief that the whole world had been peopled by the offspring of Noah. In addition, Kidd probes inconsistencies in national myths of origin and ancient constitutional claims, and considers points of contact which existed in the early modern era between ethnic identities which are now viewed as antithetical, including those of Celts and Saxons. He also argues that Gothicism qualified the notorious Francophobia of eighteenth-century Britons. A wide-ranging example of the new British history, this study draws upon evidence from England, Scotland, Ireland and America, while remaining alert to European comparisons and influences.
Although the dominant political ideology in Scotland between 1707 and the present, unionism has suffered serious neglect. One of the most distinguished Scottish historians of our time looks afresh at this central theme in Britain's history, politics and law, and traces the history of Scottish unionist ideas from the early sixteenth century to the present day. Colin Kidd demonstrates that unionism had impeccably indigenous origins long predating the Union of 1707, and that it emerged in reaction to the English vision of Britain as an empire. Far from being the antithesis of nationalism, modern Scottish unionism has largely occupied a middle ground between the extremes of assimilation to England or separation from it. At a time when the future of the Scottish union is under scrutiny as never before, its history demands Colin Kidd's lucid and cogent examination, which will doubtless generate major debate, both within Scotland and beyond.
The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance and futility. Crossing conventional disciplinary boundaries, Colin Kidd excavates Casaubon's hinterland, and illuminates the fierce ideological war which raged over the use of pagan myths to defend Christianity from the existential threat posed by radical Enlightenment criticism. Notwithstanding Eliot's portrayal of Casaubon, Anglican mythographers were far from unworldly, and actively rebutted the radical freethinking associated with the Enlightenment and French Revolution. Orientalism was a major theatre in this ideological conflict, and mythography also played an indirect but influential role in framing the new science of anthropology. The World of Mr Casaubon is rich in interdisciplinary twists and ironies, and paints a vivid picture
Although the dominant political ideology in Scotland between 1707 and the present, unionism has suffered serious neglect. One of the most distinguished Scottish historians of our time looks afresh at this central theme in Britain's history, politics and law, and traces the history of Scottish unionist ideas from the early sixteenth century to the present day. Colin Kidd demonstrates that unionism had impeccably indigenous origins long predating the Union of 1707, and that it emerged in reaction to the English vision of Britain as an empire. Far from being the antithesis of nationalism, modern Scottish unionism has largely occupied a middle ground between the extremes of assimilation to England or separation from it. At a time when the future of the Scottish union is under scrutiny as never before, its history demands Colin Kidd's lucid and cogent examination, which will doubtless generate major debate, both within Scotland and beyond.
This volume provides a fresh perspective on the ways in which writers have dealt with the relationship between literature and union, especially in Scottish literary contexts. It interrogates, from var
