Now that the age of the typewriter has come and gone, Wershler-Henry (communications, Wilfrid Laurier U.) argues not only that its ghost still haunts us, but that it has always haunted. Like reporting
bpNichol was one of Canada’s most innovative, eclectic, entertaining, and, yes, enigmatic poets, making startling interventions in the development of poetry and profoundly influencing both his own and
