Rosand explores the imagery that the Republic of Venice developed to represent itself as the ideal, serene state, founded with holy purpose and protected by divine favor. He argues that, Venice--more
Drawing Acts is about drawing, both as art and act. Taking the study of drawings beyond the traditional agenda of connoisseurship, David Rosand explores the significance of the making of drawings, the meaning in the line of the draftsman, and the recreative dimension of critical response. The book focuses on drawings by artists such as Leonardo da Vinci, Raphael, Michelangelo, Rembrandt, Piranesi, Tiepolo and Picasso, as well as on the history and theory of the medium itself. It seeks to establish new foundations for the criticism and appreciation of drawing, which is often considered the most revealing record of artistic creativity, offering the most direct expression of the artistic self.
David Rosand recounts the transformation of early American painters from provincial followers of the established traditions of Europe into some of the most innovative and influential artists in the wo
This study of the work of Titian grew out of a series of sessions presented at the 2004 meeting of the Renaissance Society of America and is edited by Woods-Marsden (art history, UCLA). Most of the es
Recognized in Japan as a connoisseur, collector, and proprietor of a famous folk art shop in Tokyo, Tawara Yusaku returned to painting late in life and had a single show in London before his death in
Edward Koren is best known for his cartoons and covers for The New Yorker magazine. This book explores the full range of the art he has produced during the past five decades: original drawings for car
