Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role o
Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role o
This collection is the first interdisciplinary volume to examine black women’s negotiation of race and gender in African American music. Contributors address black women’s activity in mus
