Chang (English, U. of Missouri) tells one part of the story of how vision became subjective, material, and therefore modern in 19th-century Britain, not by looking at some new technologies, but by foc
Nineteenth-century English nature was a place of experimentation, exoticism, and transgression, as site and emblem of the global exchanges of the British Empire. Popular attitudes toward the transplan
Nineteenth-century English nature was a place of experimentation, exoticism, and transgression, as site and emblem of the global exchanges of the British Empire. Popular attitudes toward the transplan
