三民網路書店 / 搜尋結果

In the late 17th-century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his cembalo che fa il piano e forte, which allowed keyboard players flexible dynami

This collection of articles, written by European, American and British scholars, clarifies problems of style and chronology in the music Schubert composed during the last decade of his life. Althought O. E. Deutsch's documentary biography and memoirs set new milestones in Schubert research, they left some problems of chronology unanswered. Some of the essays in this volume examine or re-examine these problems, using different methods. Robert Winter, in the longest essay, proposes numerous re-datings of works composed between 1822 and 1828 which result from a careful examination of types of paper and watermarks. Other contributors point out the limitations of applying stylistic criteria as the basis for the dating of individual works. The articles touch on all areas of Schubert's output, with the emphasis on his songs, theatre music, and orchestral and chamber works. Althought this book will be of primary interest to musicologists, and others interested in Schubert, the essays concerned

Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard litera

Of all the ground-breaking art movements of the 1950s and 60s, Op Art has received the least amount of attention to date. It has often been discounted as too spectacular and showy and therefore not ve

Vienna Actionism was the most extreme artistic project of the 1960s, mostly preceding and always surpassing the other performance art, body art and happenings in terms of sheer violent excess. Though