In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golde
Although much has been written about literary, cultural, and artistic influences in the work of Cervantes, at the time of this book's publication very little had been said about his interest in the classics. Frederick de Armas argues convincingly in this book that throughout his literary career, Cervantes was interested in the classical authors of Greece and Rome. Rather than looking at Cervantes' texts in relation to other literary works, this book demonstrates how Cervantes' experiences in Italy and his observation of Italian Renaissance art - particularly the works of Raphael at the Vatican - led him to create new images and structures in his works.
The rich influence of Italy's classical and Renaissance art and philosophy on the writing of Cervantes is the subject of this fasinating analysis. The first chapter summarizes part of De Armas's earli
Frederick A. de Armas unravels an essential mystery of one of world literature's best known figures: why Quixote sets out to revive knight errantry, and why he comes to feel at home only among the Moo
Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work.
The Roman poet Ovid, author of the famous Metamorphoses, is widely considered one of the canonical poets of Latin antiquity. Vastly popular in Europe during the Renaissance and Early Modern periods, O
The NEH Institute was created to study Spanish drama from 1580–1680 from the perspective of Greek and Roman mythology, and their Renaissance metamorphoses. The book seeks to develop the link between m
Among the many ancient techniques that shift or become problematized during the Renaissance and the Baroque periods, this volume focuses on one in particular, that of ekphrasis. It is through the lens
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions
In this first book-length study in the fieldof authorial criticism, various specialists from Italian, French, English, and Spanish studies collectively discuss literary careers spanning from classical
