Eighteenth-century British literary history is traditionally characterized by two central and seemingly discrete movements: the rise of the novel and the development of Romantic lyric poetry. In fact,
Starr (English, New York U.) rejects the tradition that has viewed the rise of the British novel and the development of Romantic lyric poetry as separate movements of the long 18th century. Instead, s
In Feeling Beauty, G. Gabrielle Starr argues that understandingthe neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and thearts. Drawing on the tools of both cog
In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both co
