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The analytic/synthetic distinction looks simple. It is a distinction between two different kinds of sentence. Synthetic sentences are true in part because of the way the world is, and in part because

Challenging the assumptions which underlie an understanding of the 'Romantics' as solitary and anti-sociable, and Romanticism as representing the rejection of Enlightenment sociability, this 2002 volume introduces sociability to the field of Romantic literary and cultural studies. The volume engages with Jurgen Habermas' model of the 'public sphere' which emphasizes the coffee-house and club as models of an older, masculine eighteenth-century sociability, and focuses on the changing nature of sociability in British radical culture of the 1790s and on the gendered nature of sociability. In a range of essays which examine modes of sociability as diverse as circles of sedition, international republicanism, Dissenting culture, Romantic lecturing, theatre, and shopping, the volume transforms our understanding of Romanticism by exploring the social networks of such central Romantic figures as Anna Barbauld, Frances Burney, Samuel Taylor Coleridge, William Godwin, William Hazlitt, Anne Lister

Based on compelling new research and drawing on recent developments in literary and historical studies, The Theatres of War reveals the importance of the theatre in the shaping of responses to the Rev

Mid-eighteenth-century London witnessed a major expansion in public culture as a result of a rapidly commercializing society. Of the many new sites of entertainment, the most celebrated (and often not

The analytic/synthetic distinction looks simple. It is a distinction between two different kinds of sentence. Synthetic sentences are true in part because of the way the world is, and in part because

Mid-eighteenth-century London witnessed a major expansion in public culture as a result of a rapidly commercialising society. Of the many sites of entertainment, the most celebrated (and often notorious) were the Carlisle House club, the Pantheon, and the Ladies Club or Coterie. In this major study of these institutions and the fashionable sociability they epitomised, Gillian Russell examines how they transformed metropolitan cultural life. Associated with lavish masquerades, excesses of fashion, such as elaborate hairstyles, and scandalous intrigues, these venues suggested a feminisation of public life which was profoundly threatening, not least to the theatre of the period. In this highly illustrated and original contribution to the cultural history of the eighteenth century, Russell reveals fresh perspectives on the theatre and on canonical plays such as The School for Scandal, as well as suggesting a prehistory for British Romanticism.

Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relationship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for 'ephemerology' as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.

Increased world-wide mobility and easy access to technology means that computer-mediated communication is being adopted rapidly and uncritically by psychoanalysts and psychoanalytic psychotherapists.

Philosophical logic has been, and continues to be, a driving force behind much progress and development in philosophy more broadly. This collection by up-and-coming philosophical logicians deals with

This volume argues for the enduring significance of war in the formation of British Enlightenment and Romantic culture. It is premised on the assumption that the study of war in this period cannot be

Philosophical logic has been, and continues to be, a driving force behind much progress and development in philosophy more broadly. This collection by up-and-coming philosophical logicians deals with

The fundamental principle of criminology is that crime follows opportunity, and opportunities for theft abound in the digital age. This study names, describes and analyzes the range of electronic and

Challenging the assumptions which underlie an understanding of the "Romantics" as solitary and anti-sociable, this volume introduces sociability to the field of Romantic literary and cultural studies.

Philosophy of language is the branch of philosophy that examines the nature of meaning, the relationship of language to reality, and the ways in which we use, learn, and understand language. The Routl

Philosophy of language is the branch of philosophy that examines the nature of meaning, the relationship of language to reality, and the ways in which we use, learn, and understand language. The Routl

For the first time, this innovative reference book surveys the Romantic Age through all aspects of British culture, rather than in literary or artistic terms alone. This multi-disciplinary approach tr

A COMPLETE UPDATE AND REVISION OF THE CLASSIC TEXT"At last, a manual of operations for comparing the cost-effectiveness of a preventive service with a treatment intervention." --American Journal of Pr