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Mining the rich Venetian archives, especially the unusually detailed records of Venice's own branch of the Roman Inquisition, Guido Ruggiero provides a strikingly new and provocative interpretation of

Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among

This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.

Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among

"An excellent introduction to and sampling of the developing genre of microhistory... In essence these historians begin their analysis 'from below,' viewing the ordinary peoples ignored in the annals

At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form -- the ancient Latin comedy -- to create witty, ribald, and intricately plotted plays that delighted Renaissance audiences with their clever reversals of gender and class roles. Five Comedies from the Italian Renaissance brings together the best of these works in lively new translations by Laura Giannetti and Guido Ruggiero, who also place the comedies in their cultural and social context. Presenting a fresh perspective on the Italian Renaissance, these deft translations allow modern readers to experience the original artistry and carnivalesque humor of these delightfully profane and irreverent literary classics.Contents: The Comedy of Calandro by Bernardo Dovizi de Bibbiena; The Mandrake Root by NiccolAy Machiavelli; The Master of the Horse by Pietro Aretino; The Deceived by the Academy of the Intronati of Siena; and A Venetian Comedy (anonymous)

At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form -- the ancient Latin comedy -- to create witty, ribald, and intricately plotted plays that delighted

"These superb new translations offer new perspectives on women's history to English-language readers and, as Guido Ruggiero notes in the Introduction, effectively promote the use of gender as a catego