During the second half of the eighteenth century, the social role of educatedwomen and the nature of domesticity were the focus of widespread debate in Britain. The emergence of an identifiably femini
The artist William Hodges accompanied Captain Cook on his second voyage to the South Pacific in 1772–5. His extraordinarily vivid images, read against the fascinating journals of Cook and his companions, reveal as much about European cultures and historiography as about the peoples they visited. In this lively and original book, Harriet Guest discusses Hodges's dramatic landscapes and portraits alongside written accounts of the voyages and in the context of the theories of civilisation which shaped European perceptions – theories drawn from the works of philosophers of the Scottish enlightenment such as Adam Smith and John Millar. She argues that the voyagers resorted to diverse or incompatible models of progress in successive encounters with different groups of islanders, and shows how these models also structured metropolitan views of the voyagers and of Hodges's work. This fully illustrated study offers a fresh perspective on eighteenth-century representations of gender
During the second half of the eighteenth century, the social role of educatedwomen and the nature of domesticity were the focus of widespread debate in Britain. The emergence of an identifiably femini
Unbounded Attachment is about the uses of the language of sentiment in British women's writing from Mary Wollstonecraft to Jane Austen. It focuses on a range of writers for whom this language has the
William Hodges is well known as the artist who accompanied Cook’s second voyage to the South Pacific as official landscape painter. This book—a major reappraisal of his career and reputation—presents
