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The first compilation of writings by a master of photography.One of the leading lights in photography of the twentieth century, Henri Cartier-Bresson is also a shrewd observer and critic. His writings

Henri Cartier-Bresson reveals--as only a few great artists have done consistently--the richness, the sensibilities, and the varieties of the human experience in the twentieth century. This volume of Aperture's Masters of Photography series confirms the genius of the photographer whose pictures with the new, smaller hand-held cameras and faster films defined the idea of "the decisive moment" in photography.Cartier-Bresson's imagery is intimate, but it is also utterly respectful of his subjects. In his wide travels throughout the world, he has captured universal meanings through the glimpses into the lives of individuals in scores of countries. Each photograph is in itself a masterpiece of dramatic form; taken together, Cartier-Bresson's works constitute a personal history of epic scope.Henri Cartier-Bresson presents forty-two of the artist's photographs, each recognized a a masterpiece of the medium. In addition, Cartier-Bresson offers a brief statement of his own artistic ethos, his

Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. Published to accompany an exhibition at The Museum of Modern Art, this is the first

Presented for the first time in English, this volume brings together twelve notable interviews and conversations with Henri Cartier-Bresson carried out between 1951 and 1998. While many of us are acqu

Of all the world's major religions, Chinese Buddhism has probably experienced the most traumatic modernization. Less than forty years have separated the self-contained Manchu Empire from the establish

A notoriously reclusive artist, Sergio Larrain had a photographic career that was relatively short before he retreated to the Chilean countryside in the late 1960s to study meditation. Nevertheless, h

?Of all the books about Galveston, one of the best continues to be architect Howard Barnstone’s The Galveston That Was, published many years ago. This poignant and vivid record of the great mansions a