Far from merely reinvigorating relativism, postmodernism has detected and expressed in our time a powerful nihilating process of which truth and reality itself are the final casualties; and with these morality and religion. Beginning from the theological reaches of philosophy, this book argues that gods played a crucial part in modern philosophy, even when it was most critical of them; that the dominant nihilism of Derrida is really an excessive and misleading outcome of a contemporary philosophy which could otherwise resonate with all that is best in our evolutionary image of the universe; that moralists who turn to art in order to overcome the fact–value version of this deadly dualism do not thereby rule out religion; and that a Christian theology which recognises the evolutionary and historical conditions of faith and revelation is once again producing a theology that builds upon the best of contemporary philosophy and science.
In the conventional analysis of human behaviour, power and ethics are frequently considered contrary principles, in that power enforces, while ethics elicits a free response. But, as James Mackey forcefully shows, a more adventurous philosophical study of human morality escapes the sense of contraries, and sets us on a quest for the kind of power that liberates human creativity. It then becomes possible to establish the framework for a critical assessment of the kind of power that ought to be operative in the major structures of human society, civil or ecclesiastical, state governments and church hierarchies. Mackey analyses the religious question which then quite naturally emerges, as to whether this Eros-type power so manifest in human society originates from beyond the more empirical structures of churches, states and 'nature'; and the effort to detect the specifically Christian characterisation of an allegedly ultimate power working in us for final well-being finds its natural
Far from merely reinvigorating relativism, postmodernism has detected and expressed in our time a powerful nihilating process of which truth and reality itself are the final casualties; and with these morality and religion. Beginning from the theological reaches of philosophy, this book argues that gods played a crucial part in modern philosophy, even when it was most critical of them; that the dominant nihilism of Derrida is really an excessive and misleading outcome of a contemporary philosophy which could otherwise resonate with all that is best in our evolutionary image of the universe; that moralists who turn to art in order to overcome the fact–value version of this deadly dualism do not thereby rule out religion; and that a Christian theology which recognises the evolutionary and historical conditions of faith and revelation is once again producing a theology that builds upon the best of contemporary philosophy and science.
